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‘The Man I Love’ review: A powerful Rami Malek drives Ira Sachs’s compelling, opaque queer drama
Sachs’s Cannes Competition title plays out in 1980s New York City
‘A Man Of His Time’ review: A superb Swann Arlaud powers Emmanuel Marre’s ambitious, overlong Vichy France drama
The Cannes Competition title follows real-life opportunist Henri Marre as he seeks to make a mark in 1940s France
‘Red Rocks’ review: Bruno Dumont assembles a charming young cast for his beguiling childhood fantasy
Dumon’s distinctive, accessible new feature bows in Cannes Directors’ Fortnight
‘Diamond’ review: Andy Garcia directs and stars as a noirish detective in disappointingly superficial LA story
Rosemarie Dewitt, Brendan Fraser, Vicky Krieps, Bill Murray and Dustin Hoffman also appear in Garcia’s second directorial feature
‘Death Has No Master’ review: Asia Argento finds herself adrift in heady, uneven Venezuelan drama
Jorge Thielen Armand’s hallucinatory thriller premieres in Cannes Directors’ Fortnight
‘Goodbye Cruel World’ review: ‘Anatomy Of A Fall’ star Milo Machado-Graner shines in dreamlike Cannes Critics’ Week closer
Actor-turned-filmmaker Felix de Givry’s debut follows a bullied teenager who vanishes from his provincial town
‘I See Buildings Fall Like Lightning’ review: Clio Barnard’s Birmingham friendship drama builds on its superb performances
The ‘Ali & Ava’ director’s Cannes Directors’ Fortnight title stars Joe Cole, Lola Petticrew and an excellent UK cast
‘Low Expectations’ review: Understated Norwegian depression drama stars singer Marie Ulven
Ulven, aka Girl in Red, impresses in Eivind Landsvik’s debut of burnout and recovery
‘The Samurai And The Prisoner’ review: Kiyoshi Kurosawa’s handsome Japanese period drama is a staid siege mystery
Kurosawa’s Cannes Premiere title lacks the action of his previous pictures
‘Six Months In A Pink And Blue Building’ review: Intimate, precise portrait of childhood, memory and sexuality in Mexico City
Bruno Santamaría Razo’s Cannes Critics Week title effectively blends documentary and fiction
‘Spring’ review: Assured, tense Lithuanian debut plays out in occupied Ukraine
Strong performances and atmospheric craft anchor a story of quiet resistance and mounting dread
‘Minotaur’ review: Andrey Zvyagintsev remakes Claude Chabrol’s ‘The Unfaithful Wife’ as immaculate domestic thriller
The ‘Loveless’ and ‘Leviathan’ director’s Cannes Competition title intertwines personal and national crisis
‘Women On Trial’ review: Charlotte Gainsbourg leads a persuasive dramatisation of landmark 1972 French abortion trial
Lauriane Escaffre and Yvo Muller revisit the historic Bobigny case through the eyes of lawyer and activist Gisele Halimi
‘Aqui’ review: Ambitious Portuguese J.M. Coetzee adaptation explores the mysteries of childhood
An improvised family navigates uncertainty in Tiago Guedes’s three-hour Cannes Premiere title
‘Ben’Imana’ review: Evocative debut delivers a haunting tale of post-genocide Rwanda
Marie-Clémentine Dusabejambo’s Un Certain Regard title is set against Rwanda’s post-genocide gacaca courts
‘Her Private Hell’ review: Nicolas Winding Refn thriller is exercise in style over substance
Sophie Thatcher and Charles Melton star in director’s soulless follow-up to ‘The Neon Demon’
‘Colony’ review: ‘Train To Busan’ director Yeon Sang-ho returns with fun, forgettable zombie horror
The Seoul-set Cannes Midnight title stars Koo Kyo-hwan, Gianna Jun and Kim Shin-rock
‘Tin Castle’ review: Affectionate, unsentimental doc follows an Irish traveller family
Alexander Murphy’s follow-up to ‘Goodbye Sisters’ debuts in Cannes Critics’ Week
‘Dora’ review: K-pop star Kim Do-yeon heads July Jung’s feverish South Korean psychodrama
Jung follows ‘Next Sohee’ and ‘A Girl At My Door’ with Cannes Un Certain Regard title
‘Fjord’ review: Sebastian Stan and Renate Reinsve intrigue in Cristian Mungiu’s underpowered Norway-set drama
Mungiu’s Cannes Competition title sees a Christian family going up against Norway’s child protection services
