All Features articles
View all stories of the same content type.
-
FeaturesWhy the Japanese producer on Netflix’s ‘10Dance’ insisted on shooting in Blackpool
Takako Miyauchi tells Screen how he kept the cult-favourite BL manga adaptation as authentic as possible.
-
FeaturesWord of Mouth: We Are Parable’s Anthony Andrews on his love of French New Wave and reality TV
The co-founder of UK exhibition and distribution specialist We Are Parable turns to BFI Player and The British Blacklist founder Akua Gyamfi for viewing tips.
-
FeaturesBafta flashback: Amma Asante remembers Martin Scorsese, blinding lights and her parents’ reaction
Asante won the Carl Foreman award for British debut feature at the 2005 Baftas for ‘A Way Of Life’
-
Features“It is the DNA of my own story”: Guillermo del Toro on making ‘Frankenstein’ and casting Jacob Elordi as his Creature
Guillermo del Toro’s Frankenstein is the culmination of an almost‑lifelong obsession
-
FeaturesScreen’s guide to the 2026 international feature Oscar shortlist
Asia and Middle East make strong showing with wide global spread of shortlisted films.
-
FeaturesHow the filmmaking team behind ‘Bugonia’ adapted a 2003 Korean film into a “very contemporary” black comedy
Despite its origins, the film’s themes of paranoia and environmental decay feel pertinent today
-
FeaturesJoachim Trier on why his fractured-family drama ‘Sentimental Value’ makes him “feel seen”
The Norwegian filmmaker explores generational trauma, compassion and connection in his sixth feature
-
FeaturesHow nature, Ukrainian minefields and the male and female in everyone inspired Chloe Zhao’s adaptation of ‘Hamnet’
Hamnet’s co-writer and director on the connection to nature that changed her life
-
FeaturesAwards Whispers: anonymous Bafta voters on this season’s hidden gems and why some Q&As “feel too rehearsed”
Screen’s panel of anonymous awards voters explain how they prioritise what they watch.
-
FeaturesCurzon’s development partnership with Cinéart and Madman is widening its remit: “We’ve got about 12 projects locked in”
Upcoming projects include Peter Hoar’s ‘A Waiter In Paris’ and Ibsen adaptation ‘Ghosts’ from May el-Toukhy.
-
FeaturesTeam Screen’s top films of 2025
Screen’s editorial team has selected their top five films of 2025, as well as their favourite scene.
-
FeaturesScreen critics’ top films of 2025
Screen International’s critics have selected their top films of 2025, plus the best documentaries and standout performances.
-
FeaturesFilms of the year 2025: Wendy Ide
Wendy Ide is Screen International’s senior international critic, and chief film critic for The Observer.
-
FeaturesFilms of the year 2025: Nikki Baughan
Nikki Baughan is Screen International’s reviews editor.
-
FeaturesFilms of the year 2025: Tim Grierson
Tim Grierson is Screen International’s senior US critic, and is based in LA.
-
FeaturesFilms of the year 2025: Amber Wilkinson
Amber Wilkinson is an Edinburgh-based journalist with more than 20 years’ experience. She has been writing for Screen since 2019.
-
FeaturesFilms of the year 2025: Jonathan Romney
A longtime contributor to Screen International, Jonathan Romney also writes forFilm Comment, Sight & Sound and The Observer.
-
FeaturesFilms of the year 2025: Allan Hunter
Allan Hunter has worked for Screen since 1990. He is based in Edinburgh and recently retired as co-director of Glasgow Film Festival
-
FeaturesFilms of the year 2025: Lee Marshall
Lee Marshall joined Screen in 1996 as an Italy-based film critic. He also writes on travel, design and culture for a range of UK, US and Italian publications.
-
FeaturesComment: Films exploring the dark side of motherhood are proving a challenge to awards voters
Titles like ‘Die My Love’, ‘Left-Handed Girl’, ‘If I Had Legs I’d Kick You’, ‘Hamnet’ and ‘Young Mothers’ show the flipside of being a mother