All Features articles – Page 8
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FeaturesGlasgow Film Festival’s Paul Gallagher on how he hopes to expand the event
Gallagher wants to make more of the filmmakers, producers, sales agents and distributors who will be in town.
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FeaturesKleber Mendonca Filho breaks down four key scenes from ‘The Secret Agent’: “The film has multiple layers of storytelling”
Kleber Mendonca Filho has poured his experiences growing up in Recife, northern Brazil into political thriller The Secret Agent. He talks to Screen about four key sequences in the film.
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FeaturesSata Cissokho on how Berlin's World Cinema Fund is bringing together Global South filmmakers with Euro producers
WCF support goes directly to the local production rather than the European minority co-producer.
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FeaturesPaul Thomas Anderson, DoP Michael Bauman break down four key scenes from ‘One Battle After Another’: “I knew people would have a good reaction”
One Battle After Another combined meticulous planning with a flexible, open filmmaking approach.
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FeaturesBafta flashback: Jack O’Connell looks back on winning his rising star award – “There was some revelling”
“This was back in the days when I’d stay out late”
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Features‘Lady’ director Olive Nwosu on her filmmaking inspirations, next projects
Nwosu aims for ”a body of work that looks at the world from a modern African lens.”
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FeaturesMeet the awards campaigner who achieved a clean sweep of documentary nominees at this year’s Bafta Film Awards
UK agency Christelle & Co successfully campaigned for all five Bafta-nominated documentaries
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FeaturesWe Are Parable on building consistent, UK-wide Black cinema programming
The We Are Here initiative aims to build a consistent level of Black cinema programming across the country.
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FeaturesHow the British Business Bank is stepping up support for UK independent film
“The bank has got more firepower now [to help the creative industries]”
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FeaturesWhy the industry wants a revamped London Screenings
The demise of London Screenings has left the UK film industry without a dedicated export market — and both sellers and buyers are clamouring for a replacement. Screen speaks to UK sales execs and international buyers about what the priorities should be for a successor event.
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FeaturesCNC president Gaëtan Bruel on audience hunger for daring films
“Arthouse can become the new mainstream and France is leading the charge.”
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FeaturesHow success of ‘I’m Still Here’ and ‘The Secret Agent’ has helped to drive Brazilian box office
Both films contributed to a significant growth in the market share of Brazilian cinema domestically.
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FeaturesBafta flashback: ‘Imposter’ duo Bart Layton and Dimitri Doganis on having one of their trophies stolen
They won the Bafta for outstanding British debut in 2013, beating films including ’The Muppets’ and ’Wild Bill’.
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FeaturesIn conversation: Pippa Harris and Liza Marshall on producing ‘Hamnet’, why film industry “is in a strange place”
The leading UK producers discuss their collaboration and the current landscape for independent film and TV production.
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FeaturesHow ‘The Perfect Neighbor’ tells a real-life Florida tragedy through two years of police bodycam footage
Director Geeta Gandbhir uses archive footage to document the impact of a tragic incident on one Florida community
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FeaturesWunmi Mosaku on the profound impact of her ‘Sinners’ role: “It was a process of decolonising my mind”
“I had never felt so excited on a project,” the Oscar and Bafta nominee tells Screen
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FeaturesEFM 2026: The buzz titles from South Korea
Horror, animation and the latest from Berlinale award-winner Hong Sangsoo are among the titles being presented by South Korean sellers at EFM. Michael Rosser reports
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FeaturesIn profile: the 2026 Bafta Film Awards shorts contenders
This year’s Bafta-nominated shorts encompass a faded pop star, family trauma, queer romance, departed loved ones and social isolation. Screen profiles the eight films competing across two categories.
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FeaturesWho are the new US indie distributors?
Stiff headwinds in the US theatrical marketplace have not stopped a host of fresh distribution companies from springing up, looking to take advantage of new ways to reach audiences.