All Features articles – Page 10
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FeaturesHow an “alien enthusiast” friend helped Jesse Plemons prepare for his role in ‘Bugonia’
In Bugonia, Jesse Plemons plays a man empowered by certainty he is saving the human race from an alien conspiracy.
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FeaturesHow the Warner Bros takeover could shake up France’s unique film industry
Either deal could threaten the cinema admissions that power France’s film financing structure.
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FeaturesRenate Reinsve on losing control for ‘Sentimental Value’, upcoming projects with Cristian Mungiu and Alexander Payne
The Norwegian actress stars in Joachim Trier’s Sentimental Value, which sees a fractured family reckon with its past.
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FeaturesBafta flashback: Asif Kapadia on an embarrassing moment with Richard Attenborough
The quadruple Bafta winner on his first time at the awards, his fallout with Harvey Weinstein and pushing for a documantary award.
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FeaturesWho are the early Oscar and Bafta frontrunners in the acting categories?
This year’s Oscars and Baftas could see a record number of nominees among actors performing in languages other than English.
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FeaturesWhy Dwayne Johnson’s role in ‘The Smashing Machine’ was a life-changing transformation
”I had this little voice between my ears about wanting to do more, and wanting to challenge myself.”
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FeaturesGeorge Clooney reveals the “overlaps” with his ‘Jay Kelly’ character and enjoying “getting to reinvest in acting again”
In Noah Baumbach’s film, George Clooney plays a George Clooney-like movie star experiencing a midlife crisis.
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FeaturesHow different-sized shoes helped Michael B Jordan play twins in ‘Sinners’
To play twins Smoke and Stack in Ryan Coogler’s film, Michael B Jordan developed complex back stories to help deepen the two performances.
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FeaturesMary Bronstein, Rose Byrne on why making ‘If I Had Legs I’d Kick You’ needed a “psychotic level of confidence”
Mary Bronstein on quiting filmmaking and her return 17 years later with ’If I Had Legs I’d Kick You’.
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Features“The streamers are scared of this film”: Eugene Jarecki on making and releasing his Julian Assange documentary ‘The Six Billion Dollar Man’
Despite a buzzy premiere at Cannes, the documentary filmmaker struggled to sell the film’s US rights and is releasing it himself in the UK.
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Features“I didn’t have grey hair before this”: Four filmmakers behind Oscar international feature hopefuls on working with their child leads
‘The President’s Cake’, ‘Orphan’, ‘The Left-Handed Girl’ and ‘The Love That Remains’ all showcase child protagonists.
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Features‘Weapons’ star Amy Madigan on why she didn’t see Aunt Gladys as the villain: “This woman is fantastic”
Amy Madigan is enjoying a late career renaissance.
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FeaturesJafar Panahi on ‘It Was Just An Accident’ and making films his way - “no matter if I’m banned or not”
It Was Just An Accident pivots from revenge thriller to a humanist study of modern Iran. Jafar Panahi tells Screen what drives his filmmaking choices.
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Features'Sorry Baby' director and star Eva Victor talks finding instant chemistry with co-lead Naomi Ackie
In ’Sorry, Baby’, Eva Victor explores personal trauma through a comic prism, and the importance of friendship in the healing process.
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FeaturesMona Fastvold on bringing a little-known 18th-century story to life with 'The Testament Of Ann Lee'
’The Testament Of Ann Lee’ is an audacious musical about the founder of the Shaker religious community.
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FeaturesHow France shifted strategy to try and win its first international feature Oscar in more than 30 years
France has shifted strategy in an attempt to win its first best international feature Oscar in more than 30 years.
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FeaturesOliver Laxe on his techno-fuelled Oscar contender ‘Sirât’: “It’s triggered a debate, and I love that”
Inspired by his years as a raver, Oliver Laxe’s Sirât is a wild ride through the Moroccan desert — and Spain’s submission for the Oscars. Elisabet Cabeza talks to the Spanish French director.
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FeaturesHow Christopher Nolan’s ‘Dunkirk’ inspired Ukrainian frontline documentary ‘2000 Meters To Andriivka’
Mstyslav Chernov’s follow-up to the Oscar- and Bafta-winning 20 Days In Mariupol immerses viewers into a bloody advance to liberate a village from Russian occupation.
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FeaturesWagner Moura on keeping his Brazilian identity and the anti-authoritarian warning of ‘The Secret Agent’
Moura stars in Kleber Mendonca Filho’s Brazil Oscar entry, a political thriller set in 1977 during the country’s military dictatorship that resonates in the modern climate
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FeaturesAwards Whispers: our anonymous panel of voters give their early verdict on this season’s contenders
“It’s been an incredible year for British debuts”