![The Brightest SunScreen[Courtesy HKIFF]](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/3/5/0/1448350_thebrightestsunscreencourtesyhkiff_312678.jpg)
All Awards articles – Page 5
-
FeaturesAwards Whispers: voters discuss the Oscar and Bafta nominations – “a lot of the movies don’t feel as Oscar-baity”
“A category rather than film gripe: do we really need 10 options for outstanding British film?”
-
NewsScreen digital edition: February 4
Includes interviews with Ralph Fiennes, Edward Berger and Rich Peppiatt.
-
FeaturesIn conversation: Edward Berger and Ralph Fiennes talk ‘Conclave’, bonding during lunch with Robert Harris
Edward Berger changed the nationality of his Conclave protagonist so he could cast Ralph Fiennes.
-
News‘The Brutalist’ wins top prize at London Film Critics’ Circle awards
‘Conclave’, ‘Nickel Boys’ and ‘A Real Pain’ also collected two awards each at the ceremony.
-
NewsIcelandic drama ‘When The Light Breaks’ leads Goteborg winners
‘Trans Memoria’, ‘Love’ among other winning films.
-
NewsScreen’s awards-season experts debate the state of the Oscar and Bafta races – Screen Podcast
As well as the frontrunners, categories where nominees are gathering late momentum are also highlighted.
-
NewsOscar-nominated ‘Emilia Perez’ star Karla Sofía Gascón issues apology over historic tweets
“I want to acknowledge the conversation around my past social media posts that have caused hurt.”
-
NewsZoe Saldana “saddened” over social media posts by ‘Emilia Pérez’ co-star Karla Sofía Gascón
“It saddens me that we’re having to face this setback right now.”
-
FeaturesJason Reitman on making ‘Saturday Night’ at a breakneck pace, sticking with smaller features
Telling the story of the fevered 90 minutes leading up to an iconic TV launch, Jason Reitman captures the energy with his own film Saturday Night. He talks to Screen about his meta approach.
-
News‘The Count Of Monte-Cristo’ leads nominations for France’s Cesar Awards
Also strong showings for ’Beating Hearts’ and ’Emilia Perez’.
-
FeaturesSean Baker breaks down four key scenes from ‘Anora’: "I always encourage my actors to improvise"
Anora depicts events leading up to — and spiralling down from — an extraordinary set of nuptials. Filmmaker Sean Baker reveals all to Screen about the creation of four key scenes.
-
FeaturesHow the ‘Wicked’ co-writers turned one hit stage show into two musical feature films
Wicked co-writers Winnie Holzman and Dana Fox talk to Screen.
-
Features‘Emilia Pérez’ make-up artist on transforming Karla Sofia Gascon into a drugs lord
Emilia Pérez make-up artist Julia Floch-Carbonel talks to Screen about her Bafta‑nominated work on Jacques Audiard’s ode to the power of transformation.
-
NewsScreen digital edition: January 28
The issue sees four UK awards campaigners give their verdicts on the Bafta nominations, and features an interview with Philip Knatchbull on his return to Curzon.
-
FeaturesEdward Norton on career choices, ‘A Complete Unknown’ and bonding with Timothee Chalamet
Four-time Oscar nominee Edward Norton showcases a benevolent side as folk singer Pete Seeger in A Complete Unknown. Just don’t tell him he’s playing against type.
-
Features‘The Wild Robot’ creators on creating its impressionistic look, a potential sequel
Screen talks to director Chris Sanders and producer Jeff Hermann about creating the island adventure.
-
Features‘The Brutalist’ composer Daniel Blumberg talks close bond with Brady Corbet: "It’s like a weird kind of osmosis"
“I’m used to living with Brady,” says Blumberg. “For me it’s all about the director, trying to be an extension of Brady’s instincts.”
-
NewsAmerican Cinema Editors set new awards show date after LA wildfires delay
Wicked director Jon M. Chu to receive Filmmaker of the Year award.
-
FeaturesBespoke jewellery and "a claustrophobic mood": creating the visual look of 'Conclave'
The Conclave crafts team trod a line between Vatican reality and creative imagination.
-
NewsFive Oscar nominations talking points: less diversity, surprise shut-outs and Universal sets record
Coralie Fargeat, director of ’The Substance’, does much of the heavy lifting for female representation.