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All Awards articles – Page 3
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NewsMuriel Meynard named French producer of the year by Cesar academy
Meynard has been with the Agat Films – Ex Nihilio producing collective since 2006.
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CommentNine Bafta takeaways: no politics and little diversity, but fun, friendly and very British
Screen’s executive editor, reviews and new talent Fionnuala Halligan looks back at last night’s Bafta Film Awards.
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NewsBafta Film Awards 2025 viewership sticks at 3 million
David Tennant’s return as host picked up the same number of UK viewers as his first stint.
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News‘Conclave’, ‘The Brutalist’ lead winners at 2025 Bafta Film Awards
‘Conclave’ won best film, with Brady Corbet collecting best director.
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News‘Anora’, ‘Nickel Boys’ win at 2025 WGA Awards
Jim Henson: Idea Man won documentary screenplay award.
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FeaturesMy Screen Life: Bafta CEO Jane Millichip talks Banksy, ‘The Two Ronnies’ and the importance of saying hello
Millichip took over as Bafta CEO from Amanda Berry in October 2022.
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News‘Small Things Like These’, ‘Kneecap’ win big at Irish Film and Television Awards
Cillian Murphy, Saoirse Ronan and Collin Farrell were among the winners.
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News‘The Last Dance’, ‘Twilight Of The Warriors’ lead Hong Kong Film Awards nominations
The best film category also includes ‘Papa’, ‘The Way We Talk’ and ‘All Shall Be Well’.
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NewsWho is attending the Bafta Film Awards 2025?
Nominee Karla Sofia Gascon will not attend; Prince and Princess of Wales to miss ceremony.
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FeaturesHow the ‘Wicked’ craft team pulled off the “most complicated film” of their careers: “It was a mammoth undertaking”
Wicked has earned Bafta and Oscar nominations for design heads Nathan Crowley (production), Paul Tazewell (costume) and Frances Hannon (make-up and hair). The trio talk about bringing hand-crafted texture to a magical world.
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FeaturesHow ‘The Brutalist’ production design team rose to the challenge of bringing Brady Corbet’s vision to life
Production designer Judy Becker and set decorator Patricia Cuccia took a stripped-down approach to their work on The Brutalist
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Features“It felt subversive and radical”: ‘Conclave’ screenwriter Peter Straughan on adapting Robert Harris’s papal thriller
The king of the book adaptation talks about finding his own story through others.
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FeaturesUnsung heroes: meet the voice coaches who nurtured this year’s awards hopefuls
Screen talks to the experts who worked across Wicked, A Complete Unknown, The Apprentice and The Wild Robot.
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FeaturesCinematographer Paul Guilhaume on the challenges and visual inspirations of shooting ‘Emilia Pérez’
The French cinematographer is Bafta- and Oscar-nominated for his work on Jacques Audiard’s film.
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FeaturesZoe Saldaña on the “therapeutic” experience of making ‘Emilia Perez’
The actress describes how being the daughter of immigrants gave her a special affinity for the role of Rita.
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FeaturesOscar-nominated cinematographer Ed Lachman on striving for a “heightened reality” in Pablo Larrain’s ‘Maria’
The cinematographer received the only Oscar nomination for Pablo Larrain’s Maria Callas biopic.
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FeaturesHow ‘Black Box Diaries’ filmmaker Shiori Ito took control of her own story
A survivor of a 2015 sexual assault, Shiori Ito chose to tell her own story with her film Black Box Diaries. She tells Screen why it was vital to shine light on her life’s darkest moment.
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FeaturesJames Mangold breaks down four key scenes from ‘A Complete Unknown’: “Our special effect is Timothee Chalamet”
Bob Dylan drama A Complete Unknown is a story about the collision between a musical genius and a world in thrall to him. Writer/director James Mangold discusses four key scenes.
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FeaturesFelicity Jones explains why she studied the work of Anthony Hopkins to prepare for ‘The Brutalist’
Delays to the shoot gave Felicity Jones valuable time to prepare for Brady Corbet’s epic drama The Brutalist. It was a role worth waiting for, she tells Screen.
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FeaturesWhy Colman Domingo felt “closer” to ‘Sing Sing’ than any other film he’s made: “I had an opinion on everything”
The actor also speaks about his future projects as a producer and director.