All Comment articles – Page 74
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CommentPartying Stones style?
It could have been up there with the most spectacular Cannes parties ever — but alas, there will not be any festival visitors engaging in drunken revelry at the famed Villa Nellcote in Villefranche-sur-Mer.That’s the famed mansion where The Rolling Stones holed up as tax exiles in 1972, where they ...
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CommentProducer recoupment: not the whole solution
Tom Harvey, CEO of UK regional screen agency Northern Film & Media, welcomes some aspects of PACT’s proposals but argues that funding for film should be spread across the industry (including for cast and crews), not just for producers.
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CommentA Spoonful Of Sugar
The Cannes Film Festival’s annual cocktail of art and glamour looks decidedly art-heavy this year and could use an injection of razzle dazzle, Mike Goodridge writes.
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CommentWhy we need PMDs (Producers of Marketing and Distribution)
Digital distribution guru Jon Reiss says film-makers need this key crew position from the inception of the project.
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CommentThe romance of remakes
It’s easy to scoff at remakes but only if you don’t understand that a US remake will be seen by millions more around the globe than a non- English language original, Mike Goodridge argues.
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Comment
Horrors of the Gulf
Somehow one just doesn’t associate horror genre films with movies from the United Arab Emirates.
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Comment
Besson Gets BIFFF'd
The seemingly perfect sense of patience and good nature of the fiercely loyal fantasy fans attending the world premiere of Luc Besson’s new film The Extraordinary Adventures of Adèle Blanc-Sec was tested to the limit at its sell out screening.
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CommentAs the volcanic dust settles
Perhaps the only thing that is clear following the travel chaos that engulfed Europe last week is just how enmeshed the US film industry has become with the rest of the world.
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CommentA tale of three cities
The rise of mainland China as a massive market could have stubbed out originality across Chinese-speaking Asia, but production centres in Taipei and Hong Kong have ensured diversity and fresh vision.
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Comment
Small is beautiful
It’s inconceivable that even 10 years ago, an actress of the calibre of Kate Winslet and a film-maker as world-class as Todd Haynes would be working together in television. But that is exactly what the two cinema luminaries are doing in a five-hour mini-series of James M Cain’s 1941 Mildred ...
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CommentCool eye on a warm reception
Kicking off a new monthly column, Screen’s chief critic reports from the Hong Kong International Film Festival ― and finds that watching films with local audiences is not the best way to assess a title’s international appeal.
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CommentA Hollow Clash
Tentpole movies are being cut down to the minimum narrative basics with no room for characterisation or nuance. But why should audiences care?
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CommentSelling the Sizzle, Not the Steak
Sales agents are finding it increasingly difficult to close pre-sales, as cash-strapped buyers practice a wait-and-see policy.
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CommentThe UK’s Digital Economy Bill – a victory for copyright owners?
In this week’s Guest Comment, Denise Nurse and Laurie Cooke of Halebury Law argue that this UK bill may not be enough to stop the wave of Internet piracy.
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CommentIn rewarding creative ambition, let's not ignore genre films
The UK Film Council’s new three-year plan will focus on “creative excellence”, meaning more risky projects, but will genre films take a back seat?
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CommentChina: Film, Revenue Sharing, Sex
China Film Group reaps big profits from the country’s growing cinema audience, but there is a dark side when local authorities deem a film unpatriotic or too sexually explicit.
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CommentWhither The Message Movie?
The lacklustre perfomance of Green Zone has proved again that cinema audiences are not enticed by Iraq war dramas but more than that it could mark a turning point for high-priced movies with message.