All Europe articles – Page 5
-
NewsCharades’ founding trio on building their company’s international reputation and taking early risks on filmmakers
Paris-based sales and production outfit Charades launched in 2017.
-
Reviews‘Species’ review: Astute, extreme French body horror explores the pressures of modern life
Marion Le Corroller’s unflinching debut bows in Cannes Midnight
-
Reviews‘Marie Madeleine’ review: Haiti-set drama finds grace in the tension between sexuality and faith
Gessica Geneus follows debut Freda with a sensual, socially-grounded tale of belief, repression and change
-
Reviews‘Parallel Tales’ review: Asghar Farhadi drama is convoluted, superficial musing on the interplay between fact and fiction
Farhadi’s French language Cannes Competition title stars Isabelle Huppert, Virginie Efira and Vincent Cassel
-
Reviews‘Words Of Love’ review: Hafsia Herzi stars in energetic, lighthearted French family drama
Rudi Rosenberg’s Un Certain Regard title follows a young girl’s attempts to connect with her absent father
-
Reviews‘Gabin’ review: Delicate, absorbing doc follows 10 years in the life of a boy in rural France
Maxence Voiseux’s debut documentary premieres in Cannes Directors’ Fortnight
-
Reviews‘Alive’ review: Actress-filmmaker Aina Clotet’s grounded debut channels personal and global anxiety
Clotet’s Critics’ Week title delivers a controlled study of illness, impulse and the fear of time running out
-
Reviews‘Forsaken’ review: Docudrama about 2020 murder of a French schoolteacher is uneasy retelling of a national trauma
Vincent Garenq’s exploration of the Samuel Paty murder combines careful reconstruction with more heavy-handed flourishes
-
Reviews‘A Woman’s Life’ review: A dynamic Lea Drucker fuels Charline Bourgeois-Tacquet’s restrained mid-life drama
Bourgeois-Tacquet’s follow up to ‘Anais In Love’ debuts in Cannes Competition
-
Reviews‘Dua’ review: Blerta Basholli follows ‘Hive’ with taut drama set against the tensions of 1990s Kosovo
The director’s Cannes Critics Week title features an impressive performance from newcomer Pinea Matoshi
-
FeaturesCannes market 2026: 15 buzz titles from Europe
Screen presents a selection of the buzziest projects from Europe available to international buyers at this year’s Cannes market.
-
Reviews‘The Electric Kiss’ review: Pierre Salvadori’s 1920s Paris-set Cannes opener lacks genuine spark
Anaïs Demoustier and Gilles Lellouche star in retro romcom set against bohemian Paris
-
FeaturesEuropean distributors talk Cannes titles and the state of the market: “Audiences either love a film or hate it”
Screen International hosted a roundtable conversation with Stefan Bradea, Sara Frain, Johanna Mayer, Dorothee Pfistner and Andrea Romeo.
-
NewsNetflix to co-finance all five Dogma 25 films as ‘Mr. Nawashi’ starts filming
Nordisk Film Distribution will release the films in the Nordic region ahead of streaming on Netflix in the market.
-
NewsHong Sangsoo’s ‘The Day She Returns’ sells to key territories including France, UK, China
South Korea’s Finecut handles sales of the drama and is at Cannes with Directors’ Fortnight title ‘Dora’
-
NewsSalaud Morisset makes head of sales promotion, expands team ahead of Cannes
EXCLUSIVE: Company adds to sales team, operations.
-
NewsJoachim Trier, Ruben Östlund, Juliette Binoche call on EU to prioritise cinema support
They are among 4.500 signatories of an open letter praising the impact of Creative Europe Media.
-
Reviews‘Power Ballad’ review: Paul Rudd and Nick Jonas pluck the heartstrings in overly sentimental John Carney drama
Carney follows up ‘Once’ and ‘Sing Street’ with wistful, unconvincing music industry tale
-
News’Sirât’ producer among 2026 Producers On The Move selection
Producers behind Cannes 2026 titles ‘Everytime and ‘Death Has No Master’ are also taking part.
-
Reviews‘From Dawn To Dawn’ review: Visions du Reel winner is delicate study of Chinese immigrant lives in Barcelona
Xisi Sofia Ye Chen turns the camera on her own family for her documentary debut