All Features articles – Page 16
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Features“I thought, ‘I can’t f**k this up’”: composer John Powell on revisiting his ‘How To Train Your Dragon’ score for the live-action version
Source: World Soundtrack Awards / Melinda Lerner John Powel LA-based British composer John Powell is best known for his dynamic action scores, including the Bourne series, Mr & Mrs Smith and Face/Off) as well his work in animation, creating the music for countless children’s classics including Happy ...
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FeaturesLabina Mitevska reflects on why she believes the world needs her sister Teona Strugar Mitevska’s Venice title ‘Mother’
The Horizons opener stars Noomi Rapace as the Catholic nun Mother Teresa in 1948.
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FeaturesMacao and international execs share advice on boosting the region’s film industry
Screen International hosted roundtable in Venice took place at a time of increasing film activity in Macao.
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FeaturesInternational execs ‘optimistic’ about return of young audiences to cinemas
A Venice Film Festival roundtable hosted by Screen International and sponsored by the Saudi Film Commission debated young cinema audience trends.
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FeaturesThe lowdown on the 2025 Toronto lineup
Screen profiles all the world and key premieres in the Galas, Special Presentations, Platform and Midnight Madness strands.
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FeaturesToronto 2025 preview: Screen’s guide to TIFF Docs
TIFF Docs’ section this year includes films by Laura Poitras, Gianfranco Rosi, Chai Vasarhelyi and Jimmy Chin.
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FeaturesToronto 2025 preview: Screen’s guide to the Platform and Midnight Madness titles
TIFF’s Platform and Midnight Madness 2025 selection includes titles by Farnoosh Samadi, Bryan Fuller and Matt Johnson.
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FeaturesToronto 2025 preview: Screen’s guide to the Discovery and Centrepiece strands
Toronto International Film Festival runs September 4-14.
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FeaturesToronto 2025 preview: Screen’s guide to the Special Presentations
Toronto International Film Festival runs September 4-14.
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FeaturesToronto 2025 preview: Screen’s guide to the Gala titles
Toronto International Film Festival runs September 4-14.
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Features“We’re evolving,” says Gaumont’s Alexis Cassanet of the company’s shifting strategy
As the world’s oldest studio, Gaumont is celebrating its 130th anniversary in 2025.
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FeaturesCreative Europe Media replacement plans raise alarm within the European film industry
The European Commission unveiled plans that will see Creative Europe rolled into its new AgoraEU programme.
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FeaturesMads Mikkelsen, Nikolaj Lie Kaas and Anders Thomas Jensen on ‘The Last Viking’
’The Last Viking’ is the sixth reunion for the trio.
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FeaturesIs Netflix eyeing a theatrical strategy shift?
“It’s like manna from heaven,” said one UK exhibitor of ‘The Thursday Murder Club’, now playing in cinemas for a second week.
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Features“You are going to get goosebumps”: Can the work showcased at Venice Immersive help draw global audiences?
“When you can sell a lot of tickets for one single show, it starts coming closer to the economic model of cinema.”
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FeaturesHow mk2 is connecting auteurs and audiences, and expanding its slate of English-language arthouse films
”A decade ago, we stopped distributing films and everyone said, ‘You’re crazy.’ But we had a strategic vision, and it is working.”
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Features“You have to carry on pushing”: Good Chaos founder Mike Goodridge reflects on life in the international producer fast lane
The UK producer has ‘Orphan’ and ‘Ballad Of A Small Player’ set for launch at the fall festivals and a first-look deal with Searchlight.
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FeaturesTereza Nvotová on her Venice premiere ‘Father’: “My first instinct was this is too tragic”
Slovakia-born filmmaker’s latest is about a father who forgets his child in a car during a heatwave.
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Features“We will support talent in all genres,” says Fremantle’s Andrea Scrosati on eve of bumper Venice
Production and distribution group has six titles in Venice’s official selection, including Paolo Sorrentino’s opening film La Grazia and Yorgos Lanthimos’s Bugonia.
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FeaturesMy Screen Life: Emily Mortimer on needing noise to write, what she learned from Noah Baumbach and her love of sausages
The co-writer of Jay Kelly reveals why opening a greasy spoon would be her ideal alternative career.














![[Clockwise from top left]: Paul Thomas Anderson, Chloe Zhao, Ryan Coogler, Park Chan-wook](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/9/0/0/1467900_writerdirectors_192733.jpg)
