All Features articles – Page 331
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FeaturesDavid Michod, The Rover
The director talks about the “incredible beauty and incredible menace” of Australia.
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FeaturesThe Go-go Boys hit the big screen
Veteran Israeli producers Menahem Golan and Yoram Globus hit the Palais des Festivals this evening for the Cannes Classics premiere of Hilla Medalia’s documentary The Go-go Boys, charting the rise and fall of their infamous indie studio the Cannon Group.
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FeaturesMike Leigh, Mr. Turner
Mike Leigh returns to the Croisette for a fifth time with his biggest-canvas film to date, a biopic of British Romantic painter JMW Turner, who was known as the ‘painter of light’.
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FeaturesCeline Sciamma, Girlhood
Céline Sciamma talks to Melanie Goodfellow about her Directors’ Fortnight opener Girlhood, about teenage girls in Paris.
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FeaturesSet report: The Girl King
Wendy Mitchell visits Turku, Finland to watch Mika Kaurismaki at work on his big international historical drama The Girl King
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FeaturesBennett Miller, Foxcatcher
“It’s the kind of film that’s very funny until it’s not funny,” says Bennett Miller of his US competition entry Foxcatcher, backed by Megan Ellison’s Annapurna Pictures and Columbia Pictures.
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FeaturesShlomi and Ronit Elkabetz, Gett: The Trial of Viviane Amsalem
The sibling film-making duo talk to Sarah Cooper about the third film in their trilogy, which screens in Directors’ Fortnight.
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FeaturesCannes 2014: Market Buzz
Screen’s essential guide to the hottest titles coming to market at Cannes.
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FeaturesCANNES: The French collection
Despite increasing pressures on the funding of French film, local producers are bringing an exciting selection of projects to Cannes. Interviews by Melanie Goodfellow.
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FeaturesPatrick Ewald and Shaked Berenson, Epic Pictures
Patrick Ewald and Shaked Berenson tell Jeremy Kay about the nimble manoeuvres of Epic Pictures, and how the company builds a diverse slate on the back of undead beavers and giant spiders.
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FeaturesCannes 2014: Film profiles
Screen profiles the world premieres at the 67th Cannes Film Festival.
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FeaturesPierre-Ange Le Pogam, Grace of Monaco
When veteran producer Pierre-Ange Le Pogam first came to Cannes in the 1970s, he slept in a tent. Some 40 years later, the former Gaumont and EuropaCorp exec is on the Croisette with his fledgling company Stone Angels and opening night film Grace Of Monaco. Melanie Goodfellow reports.
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FeaturesNorthern Ireland: The next stage
Northern Ireland offers low costs, studio space and great locations — and that’s before the expansion of Titanic Studios. Sarah Cooper reports.
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FeaturesNorthern Ireland: The talent pool
Some of Northern Ireland’s hottest creative film talents tell Sarah Cooper about their latest projects.
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FeaturesNorthern Ireland: Prepared for battle
Northern Ireland Screen plans to place the territory at the forefront of the UK industry thanks to an ambitious new investment plan. Sarah Cooper reports.
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FeaturesNorthern Ireland: The game changer
Northern Ireland’s production scene has been expanding rapidly thanks to major projects such as Game Of Thrones. Sarah Cooper looks at how the territory is continuing to grow its infrastructure and crews, while building up its local film-making industry.
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FeaturesIs France still a cinephile nation?
France has long been a model of cinema-going culture. But with a box-office drop in 2013, a dip in local production and cinema audiences getting older, Melanie Goodfellow looks at the future of film culture in the digital age.
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FeaturesMalaysia: The stage is set
Malaysia’s burgeoning film industry gets a huge boost with next month’s opening of Pinewood Iskandar Malaysia Studios. Liz Shackleton reports.
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FeaturesEdward Noeltner, Cinema Management Group
Cinema Management Group’s Ed Noeltner tells Jeremy Kay about the company’s evolution and its success with independent animations.