All Features articles – Page 334
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FeaturesUS exhibition: the people’s choices
John Hazelton examines how US exhibitors are changing along with audiences, including offering an enhanced cinema experience with more varied options
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FeaturesTribeca 2014: hot picks
Previews of some anticipated world premieres, from Libyan rebels to killer beavers.
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FeaturesTribeca 2014: discovery channels
Tribeca Film Festival programmers Frédéric Boyer and Genna Terranova talk to Jeremy Kay about championing international and American gems.
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FeaturesJeremy Thomas: a global touch
Veteran producer Jeremy Thomas talks to Wendy Mitchell about the highlights of his 40-year career and looks excitedly to the future, ahead of a BFI Southbank retrospective.
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FeaturesThe Weinstein Company: stirring drama
As The Weinstein Company ramps up its scripted TV productions and acquisitions, Andreas Wiseman talks to the executives behind the push.
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FeaturesMolinare: making the grade
Following its 2012 restructuring, post-production firm Molinare has a sharpened focus on high-end TV drama as well as feature film post work, and is readying itself for growth. Wendy Mitchell reports
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FeaturesMIPTV: Transmedia’s transitions
As the digital-focused MIPTV champions a new age of storytelling this month, Melanie Goodfellow explores how TV drama and film producers are tentatively branching out into other platforms
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FeaturesUK film finance: BFI backs joined-up approach
A new joint-venture scheme from the BFI aims to drive up investment in UK independent films by helping producers and distributors to share the risks and rewards of distribution.
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FeaturesAsian Film Awards 2014
Picture gallery of winners and guests at the Asian Film Awards 2014.
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FeaturesGuadalajara Film Festival 2014
Picture gallery of winners and guests at the Guadalajara Film Festival 2014
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FeaturesSecret Cinema's Grand ambitions
Wes Anderson’s The Grand Budapest Hotel was brought to life with huge success by Secret Cinema. Ian Sandwell looks at how the event came together and the reasons for its popularity.
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FeaturesFilmart 2014: China’s online video boom
Boasting a mix of local and foreign content, online streaming is big business in China. Liz Shackleton reports on the consolidation in the sector and what the future holds.
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FeaturesFilmart 2014: Relationship status
What are the biggest challenges faced by European producers when teaming up with Chinese partners to gain access to the territory’s $3bn box office? Melanie Goodfellow reports.
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FeaturesFilmart 2014: hot titles: Japan
Japanese companies attend Filmart with a strong line-up of titles. Jason Gray highlights some of the most eye-catching productions.
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FeaturesEssy Niknejad, Laleh
US-based, Iran-born Essy Niknejad tells Jakob Fudge how he travelled back to the country of his birth to shoot the story of Laleh Seddigh, the 2006 Iranian racing champion who prevailed in a male-dominated sport only to be subsequently banned by racing authorities.
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FeaturesUnder The Skin: at any cost
13 years, £8m+ and an unenviable email to Brad Pitt. Andreas Wiseman talks to the creatives and financiers behind the remarkable journey of Under the Skin.
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FeaturesHong Kong Film Festival: highlights
The 38th Hong Kong International Film Festival (HKIFF) opens March 24 with two films: the world premiere of Pang Ho Cheung’s family drama Aberdeen and the Asian premiere of Fruit Chan’s black comedy The Midnight After.
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FeaturesPang Ho Cheung, Aberdeen
Film-maker Pang Ho Cheung talks to Liz Shackleton about HKIFF opening film Aberdeen, which looks at the contradictions of Hong Kong society