All Festivals articles – Page 81
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Reviews‘Two Prosecutors’ review: Sergei Loznitsa returns to fiction with a rigorous Stalin-era fable
The Ukranian writer/director’s Kafka-esque film is based on a story by author and gulag prisoner Georgy Demidov
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Reviews‘Promised Sky’ review: Follow-up to ‘Under The Fig Trees’ opens Un Certain Regard
Three migrants struggle to make a home in Tunisia in Erige Sehiri’s engaging drama
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Reviews‘Mission: Impossible - The Final Reckoning’ review: Spy franchise wraps a self-regarding double bill
Simon Pegg, Hayley Atwell and Ving Rhames return for a sequel that’s more stunt than substance
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Reviews‘Sound Of Falling’ review: Trauma seeps through a century of women’s lives in rural Germany
Mascha Schilinski’s Cannes Competition title is ‘a work of thrilling ambition’
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Reviews‘Reedland’ review: A violent crime rocks a rural Dutch community
Sven Bresser’s confident Critics Week debut makes effective use of its traditional setting
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Features“Prices are crazy”: European distributors discuss Cannes deal-making
Eve Gabereau, Tobias Lehmann, Huub Roelvink and Anne-Cécile Rolland met for a Screen International roundtable.
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Reviews‘Enzo’ review: Directors’ Fortnight opens with Laurent Cantet’s last film, directed by Robin Campillo
A ‘powerful valedictory’ from the late French auteur focuses on an adolescent working on a building side outside Mareseilles
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Reviews‘Adam’s Sake’ review: Critics Week opens with tense hospital drama from ’Playground’s Laura Wandel
Anamaria Vartolomei and Lea Drucker co-star
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FeaturesNeon’s Tom Quinn talks Cannes winning streak, production and sales expansion
Neon’s track record in the Cannes Competition isn’t just extraordinary but reflects the rapid rise of a savvy global player.
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NewsProducer-financier Closer Media hits Cannes for global auteur search
EXCLUSIVE: Backer of ’The History Of Sound’, ’Orwell: 2+2=5’ wants to work ”with the best talents of this generation and globally”.
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NewsO-Scope takes North American rights to Venice Critics’ Week entry ‘Peacock’
EXCLUSIVE: mk2 shopping international rights in Cannes.
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Reviews‘Leave One Day’ review: Cannes opens with crowd-pleasing musical of ‘exceptionally Gallic’ flavour
Amelie Bonnin’s culinary-infused film marks the first debut ever to launch the festival
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NewsCannes jury head Juliette Binoche on Gerard Depardieu: “He is no longer sacred”
The press conference focused on politics, with Binoche saying she is “not capable to answer” questions on Donald Trump’s proposed tariffs.
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NewsAmerican French Film Festival sets dates for 29th edition
The event returned last year after cancelling its 2023 run.
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NewsVision Distribution takes on sales for Gianni Zanasi’s ‘Seven Makes Heaven’
Film is latest from Directors Fortnight and Venice selected director Zanasi.
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NewsCohen Media acquires US rights to Cannes Ukraine Day selection ‘Our War’
EXCLUSIVE: Film screens today (May 13) in Cannes’ Ukraine Day programme.
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FeaturesIs Cannes growing in importance at the box office?
Screen assesses the worldwide box-office success of titles from the last two Competition lineups.
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News‘Prime Minister’ to open second Sundance: CDMX festival in Mexico City
The line-up includes seven other documentaries and seven narrative features from this year’s Sundance.
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NewsInside Out festival sets five projects for International Finance Forum
Line-up includes LGBTQ projects from the US, the UK and China.
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NewsThierry Fremaux talks selection process, Depardieu, AI in pre-Cannes press conference
Fremaux bristled at the notion that the festival always selects films from the same people.