All Festivals articles – Page 9
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News
Transilvania FF unveils feature and doc competition lineups
The top competition prize is the €10,000 Transilvania Trophy.
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Reviews
‘The Six Billion Dollar Man’ review: Julian Assange is the ultimate whistleblower in Eugene Jarecki doc
Director uses divisive WikiLeaks founder to explore the wider freedom of the press
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News
20 German films to world premiere in Munich’s New German Cinema and Spotlight sections
Munich International Film Festival runs from June 27-July 6.
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Reviews
‘Heads Or Tails?’ review: John C. Reilly is Buffalo Bill in this ‘rambunctious’ spaghetti Western
Rising French star Nadia Tereszkiewicz also stars in this surrealist Un Certain Regard premiere
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Reviews
‘Nino’ review: A cancer diagnosis prompts a weekend of reckoning in tender French drama
Theodore Pellin won the Critics’ Week Rising Star Award for his ‘soulful’ performance in Pauline Loques’ debut feature
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News
Paul Mescal criticises ‘The History Of Sound’, ‘Brokeback Mountain’ comparisons
”I find those comparisons lazy and frustrating,” said Mescal. ”I don’t see the parallels at all.”
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News
FIAPF issues robust statement to defend film festivals from ‘unprecedented attacks’
EXCLUSIVE: Festival accrediation body publishes public statement to reaffirm artistic and operational independence of film festivals.
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Reviews
‘Sentimental Value’ review: Renate Reinsve and Joachim Trier reunite for moving family drama
Trier’s third picture to screen in Cannes Competition co-stars Stellan Skarsgard
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News
Cannes Critics’ Week unveils prizes for 2025 edition
‘A Useful Ghost’, ‘Imago’, ‘Nino’ all take prizes.
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Reviews
‘The History Of Sound’ review: Josh O’Connor and Paul Mescal are clandestine lovers in US-set period drama
Oliver Hermanus’s intense, restrained film is set on the East Coast during the 1920s
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Reviews
‘Romeria’ review: Carla Simon’s third, semi-autobiographical feature is ‘pensive and rather lovely’
The Spanish director continues to mine her own history for this affecting tale of a filmmaker in the making
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News
Ukrainian team of Cannes title ‘Militantropos’ make red carpet mirror action
Directors Alina Gorlova, Simon Mozgovyi and Yelizaveta Smit and colleagues wore outfits with mirrors affixed.
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Reviews
‘The Girls We Want’ review: Inner-city kids fumble in Marseille-set debut
The return of a prodigal daughter upsets the balance in Prïncia Car’s collaborative Directors Fortnight title
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Reviews
‘Homebound’ review: Neeraj Ghaywan’s empathetic Indian drama is backed by EP Martin Scorsese
Story of two friends attempting to escape their marginalised roots could be an Un Certain Regard breakout
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Reviews
‘Tell Her I Love Her’ review: Romane Bohringer confronts her own past in convoluted hybrid feature
Over-stuffed docu-fiction hybrid is the result of a close collaboration with French politician Clémentine Autain
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Reviews
‘Kika’ review: A grieving woman turns to sex work in Belgian Critics’ Week debut
Alexe Poukine’s tonally-ambitious feature-length debut is balanced by a sensitive performance from Manon Clavel
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Reviews
‘The Disappearance Of Josef Mengele’ review: Kirill Serebrennikov’s drama tracks post-War life of the SS ‘Angel of Death’
’Fascinating, if not entirely successful’ adaptation sees August Diehl play the Nazi responsible for horrific human experiments at Auschwitz
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Reviews
‘Girl On Edge’ review: Friendship turns to rivalry in Chinese figure skating drama
Director Zhou Jinghao’s debut bows in Directors Fortnight
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Reviews
‘Militantropos’ review: The invasion of Ukraine through the prism of everyday life
Observational documentary starts in 2022, taking a Wiseman-like approach to a country at war
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Reviews
‘Fuori’ review: Mario Martone, Valeria Golino zoom in on ‘Art Of Joy’ author Goliarda Sapienza
Mario Martone’s Competition entry focuses on the author’s brief imprisonment and subsequent self-discovery