All Festivals articles – Page 10
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Reviews‘Left-Handed Girl’ review: Sean Baker-backed family drama is set on the bustling streets of Taipei
Performance-driven Critics Week title is the directorial debut of Baker’s regular collaborator Shih-Ching Tsou
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Reviews‘A Pale View Of Hills’ review: Kazuo Ishiguro’s debut novel gets tangled between Japan and the UK
Kei Ishikawa directs a dual timeline between 1950s Japan and 1980s England
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Reviews‘Brand New Landscape’ review: Debut explores a Tokyo family in crisis
Kenichi Endo stars in Yuiga Danzuka’s precise Directors Fortnight drama
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NewsBritish Urban Film Festival unveils Africa season
The BFI confirmed it had paused the long-running African Odysseys strand in March.
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Reviews‘The Girl In The Snow’ review: Louise Hemon turns to drama with a story from her own family’s past
Documentarian’s debut is beautifully based in the Hautes Alpes
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Reviews‘Put Your Soul On Your Hand And Walk’ review: Gaza documentary is a poignant final testimony
Sepideh Farsi’s ACID film pays tribute to its subject Fatma Hassona, killed in Gaza in April
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Reviews‘Death Does Not Exist’ review: Animation follows young activists into battle
Felix Dufour-Laperrier’s fourth feature explores the individual impact of violent protest
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NewsRithy Panh to chair international competition jury of 2025 Locarno Film Festival
Cambodian filmmaker to chair jury that will award festival’s Golden Leopard.
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NewsEntertainment Squad boards worldwide rights to SXSW comedy drama ‘I Really Love My Husband’
EXCLUSIVE: CEO Shaked Berenson plans US theatrical release later this year
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Reviews‘Two Prosecutors’ review: Sergei Loznitsa returns to fiction with a rigorous Stalin-era fable
The Ukranian writer/director’s Kafka-esque film is based on a story by author and gulag prisoner Georgy Demidov
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Reviews‘Promised Sky’ review: Follow-up to ‘Under The Fig Trees’ opens Un Certain Regard
Three migrants struggle to make a home in Tunisia in Erige Sehiri’s engaging drama
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Reviews‘Mission: Impossible - The Final Reckoning’ review: Spy franchise wraps a self-regarding double bill
Simon Pegg, Hayley Atwell and Ving Rhames return for a sequel that’s more stunt than substance
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Reviews‘Sound Of Falling’ review: Trauma seeps through a century of women’s lives in rural Germany
Mascha Schilinski’s Cannes Competition title is ‘a work of thrilling ambition’
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Reviews‘Reedland’ review: A violent crime rocks a rural Dutch community
Sven Bresser’s confident Critics Week debut makes effective use of its traditional setting
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Features“Prices are crazy”: European distributors discuss Cannes deal-making
Eve Gabereau, Tobias Lehmann, Huub Roelvink and Anne-Cécile Rolland met for a Screen International roundtable.
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Reviews‘Enzo’ review: Directors’ Fortnight opens with Laurent Cantet’s last film, directed by Robin Campillo
A ‘powerful valedictory’ from the late French auteur focuses on an adolescent working on a building side outside Mareseilles
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Reviews‘Adam’s Sake’ review: Critics Week opens with tense hospital drama from ’Playground’s Laura Wandel
Anamaria Vartolomei and Lea Drucker co-star
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FeaturesNeon’s Tom Quinn talks Cannes winning streak, production and sales expansion
Neon’s track record in the Cannes Competition isn’t just extraordinary but reflects the rapid rise of a savvy global player.
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NewsProducer-financier Closer Media hits Cannes for global auteur search
EXCLUSIVE: Backer of ’The History Of Sound’, ’Orwell: 2+2=5’ wants to work ”with the best talents of this generation and globally”.
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NewsO-Scope takes North American rights to Venice Critics’ Week entry ‘Peacock’
EXCLUSIVE: mk2 shopping international rights in Cannes.