All Festivals articles – Page 12
-
Reviews‘Low Expectations’ review: Understated Norwegian depression drama stars singer Marie Ulven
Ulven, aka Girl in Red, impresses in Eivind Landsvik’s debut of burnout and recovery
-
Reviews‘The Samurai And The Prisoner’ review: Kiyoshi Kurosawa’s handsome Japanese period drama is a staid siege mystery
Kurosawa’s Cannes Premiere title lacks the action of his previous pictures
-
Reviews‘Six Months In A Pink And Blue Building’ review: Intimate, precise portrait of childhood, memory and sexuality in Mexico City
Bruno Santamaría Razo’s Cannes Critics Week title effectively blends documentary and fiction
-
Reviews‘Spring’ review: Assured, tense Lithuanian debut plays out in occupied Ukraine
Strong performances and atmospheric craft anchor a story of quiet resistance and mounting dread
-
Reviews‘Minotaur’ review: Andrey Zvyagintsev remakes Claude Chabrol’s ‘The Unfaithful Wife’ as immaculate domestic thriller
The ‘Loveless’ and ‘Leviathan’ director’s Cannes Competition title intertwines personal and national crisis
-
Reviews‘Women On Trial’ review: Charlotte Gainsbourg leads a persuasive dramatisation of landmark 1972 French abortion trial
Lauriane Escaffre and Yvo Muller revisit the historic Bobigny case through the eyes of lawyer and activist Gisele Halimi
-
Reviews‘Aqui’ review: Ambitious Portuguese J.M. Coetzee adaptation explores the mysteries of childhood
An improvised family navigates uncertainty in Tiago Guedes’s three-hour Cannes Premiere title
-
Reviews‘Her Private Hell’ review: Nicolas Winding Refn thriller is exercise in style over substance
Sophie Thatcher and Charles Melton star in director’s soulless follow-up to ‘The Neon Demon’
-
Reviews‘Colony’ review: ‘Train To Busan’ director Yeon Sang-ho returns with fun, forgettable zombie horror
The Seoul-set Cannes Midnight title stars Koo Kyo-hwan, Gianna Jun and Kim Shin-rock
-
Reviews‘Tin Castle’ review: Affectionate, unsentimental doc follows an Irish traveller family
Alexander Murphy’s follow-up to ‘Goodbye Sisters’ debuts in Cannes Critics’ Week
-
Reviews‘Dora’ review: K-pop star Kim Do-yeon heads July Jung’s feverish South Korean psychodrama
Jung follows ‘Next Sohee’ and ‘A Girl At My Door’ with Cannes Un Certain Regard title
-
NewsWhich films are in the running for the 2026 Venice Film Festival?
The Adventures Of Cliff Booth, Wild Horse Nine, A Woman Unknown, Being Heumann tipped for Lido bows.
-
News“Cinema should be for everyone”: blind filmmaker Bahman Yazdan Panah talks navigating Cannes with guide dog Tess
“Tess helps a lot because everyone is interested in her and her market badge.”
-
Reviews‘Fjord’ review: Sebastian Stan and Renate Reinsve intrigue in Cristian Mungiu’s underpowered Norway-set drama
Mungiu’s Cannes Competition title sees a Christian family going up against Norway’s child protection services
-
Reviews‘The Unknown’ review: Léa Seydoux brings conviction to an ambitious but frustrating body-swap mystery
Niels Schneider also stars in Arthur Harari’s twisting Cannes Competition title
-
NewsRome’s MIA market unveils financing and animation initatives for 2026 edition
MIA unveils programme launches for 12th edition which takes place October 19-23
-
Reviews‘Viva Carmen’ review: Sébastien Laudenbach follows ‘Chicken For Linda!’ with vivid animated take on Bizet’s ‘Carmen’
Laudenbach’s third feature premieres in Cannes Directors Fortnight before moving on to Annecy
-
NewsRithy Panh, Annemarie Jacir among recipients of Cate Blanchett-backed Displacement Film Fund
The fund champions filmmakers who have been displaced or whose work often centres on narratives of displacement.
-
Reviews‘La Perra’ review: Chile’s Dominga Sotomayor returns with a visually rich island drama
A solitary woman’s bond with an abandoned dog anchors this textured Chilean film in Directors’ Fortnight
-
Reviews‘Everytime’ review: Austrian director Sandra Wollner impresses with an emotionally precise study of grief
Wollner’s follow-up to ‘The Trouble With Being Born’ bows in Cannes Un Certain Regard