![[Clockwise from top left]: 'The Voice Of Hind Rajab', 'A House Of Dynamite', 'Jay Kelly', 'After The Hunt', 'The Smashing Machine'](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/1/7/0/1459170_veniceawards_837515.jpg)
Latest – Page 9
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Reviews‘Milk Teeth’ review: A young girl searches for her missing sister in 1980s Romania
Mihai Mincan’s beguiling sophomore feature premieres in Venice Horizons
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Reviews‘At Work’ review: A French writer joins the gig economy in Valérie Donzelli’s muted drama
Bastien Bouillon stars in the director’s first Venice competition entry
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Reviews‘Hijra’ review: Family bonds are tested when a teenage girl vanishes in accomplished Saudi drama
Saudi filmmaker Shahad Ameen’s story centres on a grandmother and granddaughter in search of their missing relative
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Reviews‘The Tale Of Silyan’ review: Tamara Kotevska follows ‘Honeyland’ with portrait of Macedonian farmer
Lyrical hybrid documentary charts the highs and lows of rural life in modern Macedonia
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Reviews‘Strange River’ review: A teenage boy encounters hidden desires on a trip along the Danube
Catalan director Jaume Claret Muxart’s compelling coming-of-age drama plays Venice Horizons
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Reviews‘Cover-Up’ review: Laura Poitras co-directs fascinating portrait of US journalist Seymour Hersh
Poitras and Mark Obenhaus follow Hersh’s career reporting on the likes of Vietnam, Watergate and Abu Ghraib
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Reviews‘Agon’ review: Intriguing Italian debut follows three sportswomen at a fictional Olympics
Giulio Bertelli’s documentary-infused drama features real life world champion judo athlete Alice Bellandi
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Reviews‘Secret Of A Mountain Serpent’ review: Lyrical exploration of female desire set in the Himalayan foothills
Indian director Nidhi Saxena draws on folklore for her atmospheric sophomore film
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Reviews‘Jay Kelly’ review: George Clooney impresses as a jaded movie star in Noah Baumbach’s gentle drama
Adam Sandler, Laura Dern and Riley Keough also star in Baumbach’s Venice Competition title
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Reviews‘Bugonia’ review: Emma Stone and Jesse Plemons are dynamite in explosive Yorgos Lanthimos thriller
The director’s Venice competition title is a gloriously gonzo, sharply satirical chamber piece
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Reviews‘Megadoc’ review: Filmmaker Mike Figgis goes behind the scenes of Francis Ford Coppola’s ‘Megalopolis’
This eye-opening look at the making of Coppola’s passion project screens in Venice Classics
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Reviews‘The Kidnapping Of Arabella’ review: Chris Pine and Benedetta Porcaroli star in quirky Italian road movie
The actor takes on his first Italian-language role for sophomore director Carolina Cavalli
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Reviews‘Orphan’ review: László Nemes sets his striking coming-of-age drama in 1950s Budapest
Accomplished Venice competition title follows a teenage boy struggling to navigate a changing world
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Reviews‘Ghost Elephants’ review: Werner Herzog tracks the legendary beast through the Angolan highlands
Herzog joins South African conservationist Steve Boyes on an expedition to find the giant creatures
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Reviews‘La Grazia’ review: An impressive Toni Servillo anchors Paolo Sorrentino’s austere Venice opener
The actor plays a fictional Italian president facing the end of his tenure in Sorrentino’s serious-minded follow-up to ‘Parthenope’
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Reviews’Caught Stealing’ review: Austin Butler stars in Darren Aronofsky’s uneven New York crime thriller
Zoe Kravitz and Regina King also feature in this adaptation of Charlie Huston’s Lower East Side novel
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Reviews‘Memory’ review: Ukrainian filmmaker Vladlena Sandu explores her troubled past in lyrical docudrama
Sandu’s exploration of a childhood spent in Crimea and Chechnya opens Venice’s Giornate degli Autori
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Reviews‘Mother’ review: Noomi Rapace stars as Mother Teresa in one-dimensional biopic
Macedonian filmmaker Teona Strugar Mitevska’s punk rock take on the religious figure opens Venice Horizons
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Reviews‘Our Time Will Come’ review: Sarajevo documentary winner is study of interracial love in Vienna
Ivette Löcker follows an Austrian woman and a Gambian man as they navigate their relationship
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Reviews‘The Roses’ review: Benedict Cumberbatch and Olivia Colman clash as a fracturing married couple
Adaptation of the Warren Adler novel ‘The War of the Roses’ proves too broad and tonally erratic