Latest – Page 403
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Features
The 60 days that could change the world (of film)
Is Warner Bros’ attempt to shrink the theatrical window with the launch of a premium VoD window really the enormous threat international cinema owners fear it could be? Jeremy Kay reports on the eve of CinemaCon.
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Features
Filmart 2011: Growing confidence in pan-Chinese market
Hong Kong Filmart had a busy year in terms of networking and big launches, with some deals closed; but some Asian sellers bemoaned the lack of Western buyers attending.
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Features
As Luck Would Have It
Cult Spanish director Alex De La Iglesia follows the success of his Silver Lion winning film The Last Circus with this dark film starring Salma Hayek, which was blacklisted for five years before being rescued by Spanish producer Andres Vicente Gomez.
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Features
Luc Besson
The French film-maker talks to Screen about the EuropaCorp strategy following the departure of Le Pogam and his new project The Lady, starring Michelle Yeoh.
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Atli Orvarsson
The composer talks about the ‘archaeological journey’ of scoring The Eagle, real instruments vs. samples, and Hans Zimmer’s influence.
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The regional divide
As the UK industry is invited to consult on a draft strategy for new regional body Creative England, Sarah Cooper discovers that there is a fierce debate going on behind the scenes.
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Weekly International Box Office March 18 – 20
Battle: Los Angeles and Rango flip-flopped at the top of the international chart, with Sony’s first-placed action-sci fi taking $28.7m.
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Asian Film Awards 2011
The fifth Asian Film Awards were held in Hong Kong on March 21, with Palme d’Or winner Uncle Boonmee Who Can Recall His Past Lives by Apichatpong Weerasethakul taking the best film prize. See full story on winners here.
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Features
Win Win premiere, New York
The team behind upcoming comedy Win Win at the film’s premiere in New York last week.
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Features
Revolver's Anuvahood sets company record; Submarine rises despite weak UK box office
Paramount’s Rango returned to the top of the UK box office thanks to a tepid $1.6m (£1m) haul over one of the weakest box-office frames in recent months.
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Features
BAFTA Youth Mentoring Programme, BAFTA, London
Screen rubbed shoulders with particpants from the BAFTA and Media Trust Youth Mentoring Programme at an event held at BAFTA’s Piccadilly headquarters in London on Thursday (March 17).The prgramme, now in its second year, pairs up young film-makers from minority backgrounds with industry professionals including producers Damian Jones and Pippa ...
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Features
Screen's Filmart dailies 2011
If you’ve missed an issue of our print editions at the 2011 Hong Kong Filmart/Hong Kong International Film Festival, catch up here with all the online editions.
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Features
Thessaloniki Documentary Film Festival
The 13th Thessaloniki Documentary Film Festival-Images of the 21st Century (March 11-20) screened more than 220 films.
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Fremaux faces A-list deluge in countdown to Cannes
With April 14 set as the day when Cannes festival director Thierry Fremaux unveils his 2011 lineup, Fremaux and his programming team are screening a deluge of titles from A-list European directors which promises a vintage year on the Croisette.
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Features
Roger Garcia
The new executive director of the Hong Kong International Film Festival, Roger Garcia, talks about his vision for the event and the challenges facing Hong Kong filmmakers.
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Features
La Délicatesse
Shooting is currently taking place on this $9.5m romantic comedy directed by French brothers Stephane and David Foenkinos, starring Audrey Tautou.
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Features
Terry Gilliam
The visionary director of Brazil and The Imaginarium Of Doctor Parnassus will pick up a Fellowship Award at the Bradford International Film Festival this weekend. He talks to Screen about financing struggles, pasta, and the dangers of too much hype.
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Features
Comcastic or Comcastrophe?
US cable giant Comcast has finalised its deal for ownership of NBCUniversal — will it damage independent film production or bring more diversity?
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Features
Weekly International Box Office March 11-13
Rango king of the international box office last weekend, taking $24.1m from 5,214 screens; Japanese box office suffers.
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Features
Packed houses
Will pre-buying international projects become more popular with Hong Kong distributors as they fight for screens and good-quality product in this lively market? Liz Shackleton reports