Latest – Page 92
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FeaturesWhat a Chapter 11 bankruptcy could mean for Cineworld and Regal
US process does not necessarily mean quick sale and liquidation and is often focused on restructure.
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FeaturesArenamedia: the Australian outfit heading to Toronto with a trio of titles
‘Blueback’ starring Mia Wasikowska among those set to screen at TIFF.
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FeaturesHow new funds and alliances are boosting Southeast Asian cinema
Southeast Asian films are gaining profile on the international stage.
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FeaturesToronto 2022 preview: Screen’s guide to Gala and Special Presentations
The full line-up of world and international premieres in Toronto’s Gala and Special Presentations programmes, with details on each title including sales contacts.
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FeaturesHow local production ‘Norah’ represents a new wave of Saudi filmmaking
Budgeted at sub-$2m, Norah is a co-production between Riyadh-based Black Sugar Pictures and local service provider Nebras Films.
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FeaturesLars von Trier talks ‘The Kingdom: Exodus’, cancel culture and teasing Sweden
‘The Kingdom: Exodus’ has been screening this week in Venice out of competition.
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Features“I was intimidated as hell”: Steve Buscemi talks directing Venice premiere ‘The Listener’
The film stars Tessa Thompson as a helpline counsellor who takes calls from people in need.
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Features
Sally Potter on bringing short ‘Look At Me’ starring Javier Bardem and Chris Rock to Venice
The UK filmmaker created the short from material she shot for 2020 feature ’The Roads Not Taken’
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Features“Fiction allows me to express what is happening”: Syrian filmmaker Soudade Kaadan on Venice title ‘Nezouh’
The family drama follows two parents in conflict about whether to flee their war-torn home city of Damascus.
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FeaturesVenice transgender title ‘Monica’ takes singular route in depicting rejection
Transgender actress Trace Lysette stars as the title character.
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FeaturesThe Centrepiece interview: Mike Goodridge, Leontine Petit, Carole Scotta talk Fremantle‑backed alliance The Creatives
The three leading producers tell Screen why their loose three-year alliance with Fremantle makes perfect sense in today’s industry landscape.
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FeaturesReality check: how Venice Immersive is taking filmmakers into the metaverse
Extended reality section of the Venice Film Festival to showcase 75 projects.
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FeaturesPowerhouse PRs: International arthouse specialists on how festivals are changing
On the eve of Venice, Screen profiles the PRs who know best how to navigate the Lido, as well as Cannes and Berlin.
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Features“I take large doses of vitamins”: Alberto Barbera prepares for Venice’s 79th edition
Ahead of this year’s edition, Venice Film Festival director Alberto Barbera speaks about achieving his vision.
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Features17 films to watch from the summer festivals
Screen tracks the films from the summer festivals with strong word-of-mouth and positive reviews.
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FeaturesVenice 2022 preview: Critics’ Week and Giornate Degli Autori highlights
This year’s Venice Film Festival runs August 31-September 10.
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FeaturesVenice 2022 preview: Screen’s guide to the Horizons titles
Screen presents its essential guide to the main Venice sections.
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FeaturesWhat next for Cineworld and Picturehouse in the UK?
UK distributors and exhibitors respond to Cineworld Group woes.
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FeaturesHow Hong Kong cinema is bouncing back with local hits from new talent
Beleaguered Hong Kong cinemas are being revived by local hits from new talent, but censorship continues to prove a challenge
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FeaturesVenice 2022 preview: Screen’s guide to the Out Of Competition titles
Strand includes Olivia Wilde’s ’Don’t Worry Darling’ and Walter Hill’s ‘Dead For A Dollar’.