Latest – Page 108
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FeaturesNicolás López & Eli Roth, Aftershock
Ian Sandwell talks to Nicolás López and Eli Roth about the making of earthquake horror film Aftershock and their Chilewood concept.
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FeaturesJerry Schatzberg
Screen International caught up with the director of The Panic It Needle Park and the 1973 Palme D’or winning Scarecrow as he visits the Karlovy Vary International Film Festival for a retrospective of his work.
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FeaturesLive Viewing Japan: alt rock
As powerful alternative-content company Live Viewing Japan moves into specialised film distribution, Wendy Mitchell talks to company founder Yokichi Osato.
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FeaturesMet Film School: starter for 10
As London’s Met Film School celebrates its 10th anniversary, Jonny Persey tells Michael Rosser about its international expansion plans.
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FeaturesBorderline Films
Acclaimed film-making collective Borderline Films is the subject of a retrospective at Karlovy Vary in July. Jeremy Kay meets the principals.
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FeaturesHeather Croall, Sheffield Doc/Fest
The 20th Sheffield Doc/Fest promises to be one of its biggest and most “mind-blowing” to date, festival director Heather Croall tells Michael Rosser.
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FeaturesJoss Whedon, Much Ado About Nothing
Ian Sandwell talks to Joss Whedon about his adaptation of the Shakespeare classic Much Ado About Nothing.
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FeaturesExclusive Media: scaring up business
Exclusive Media has made an impressive mark on the industry with such diverse titles as The Woman In Black and End Of Watch. Jeremy Kay talks to the company’s leaders about its evolving business.
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FeaturesGulf's growth pattern
Gulf Film, the Middle East’s leading distributor and exhibitor, has even more growth plans for the near future. Wendy Mitchell talks to its CEO, Selim El Azar, and Jaber Al Ansari of new parent company q.media.
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FeaturesFilmNation: state of the nation
Guided by Glen Basner, FilmNation has effortlessly mixed critical acclaim with commercial success. Jeremy Kay talks to Basner as the company celebrates its fifth anniversary.
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FeaturesNeil Jordan, Byzantium
Ian Sandwell talks to Neil Jordan about the making of Byzantium, out this week in UK cinemas.
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FeaturesDavid Hasselhoff
David Hasselhoff took to the beach in Cannes this week, this time for business meetings not for Baywatch duty.
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FeaturesAmit Kumar, Monsoon Shootout
Leon Forde talks to Amit Kumar about his feature debut Monsoon Shootout, which screens in Cannes as a Midnight Screening.
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FeaturesTerry Gilliam, The Zero Theorem
Jeremy Kay talks to Terry Gilliam about his latest feature The Zero Theorem, which just wrapped production in Romania.
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FeaturesJeremy Thomas, Last Emperor 3D
Andreas Wiseman talks to Jeremy Thomas about the 3D conversion of Bernardo Bertolucci’s feature, which screens in Cannes Classics.
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FeaturesMark Cousins, A Story of Children and Film
Michael Rosser talks to Mark Cousins about his latest documentary, which has its world premiere in Cannes Classics tonight [May 3].
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FeaturesMarcel Ophuls, Ain’t Misbehavin
Andreas Wiseman talks to the great documentarian Marcel Ophuls about his new film Ain’t Misbehavin and returning to the Croisette after 20 years.
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FeaturesNicolas Winding Refn: playing God
Nicolas Winding Refn’s Only God Forgives started as a fight movie and morphed into a twisted tale of a mother-son relationship. Wendy Mitchell talks to the Danish writer-director about his anticipated follow-up to Drive.
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FeaturesAlain Attal: first blood
It all began in a restaurant for the producer of Guillaume Canet’s Cannes title Blood Ties. Alain Attal tells Melanie Goodfellow about his US debut.
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FeaturesLara Thompson, eOne: buying power
eOne is one of the industry’s most significant buyers. Andreas Wiseman speaks to EVP of filmed entertainment Lara Thompson about the company’s Cannes acquisition strategy.