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All articles by Mark Salisbury – Page 3
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FeaturesUK special effects guru Neil Corbould on staging key scenes from ‘Mission: Impossible - Dead Reckoning’ and ‘Napoleon’
Double Oscar-winning special effects supervisor Neil Corbould is Bafta-nominated this year for both Mission: Impossible — Dead Reckoning and Napoleon. He tells Mark Salisbury about how his team staged two key scenes in each film
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FeaturesCarey Mulligan: Bradley Cooper asked me to go “all in” for ‘Maestro’ role
Carey Mulligan says she had never allowed herself to let go fully as an actor before playing Felicia Bernstein in Maestro. She tells Screen why this role was different.
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FeaturesWhy Emma Stone’s ‘Poor Things’ role required a physical and emotional transformation
In Poor Things, Emma Stone delivers her most vivid performance yet, spiralling from oversized toddler to empowered woman. She tells Screen about the immersion that took her on a riotous ride.
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FeaturesPaul Mescal on romancing Andrew Scott in ‘All Of Us Strangers’: “It felt fizzy when we were acting”
Mescal also discusses his upcoming roles in ‘Gladiator 2’ and Oliver Hermanus’s ‘The History Of Sound’.
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FeaturesLudwig Göransson discusses his acclaimed ‘Oppenheimer’ score: “You want to feel what he feels”
Ludwig Göransson’s high-impact score for Oppenheimer helped turbocharge the biographical drama into a $952m blockbuster hit. Screen talks to the Oscar winner about his journey into sound.
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FeaturesLeonardo DiCaprio on his “unredeemable” ‘Killers Of The Flower Moon’ character, collaborating with Lily Gladstone
DiCaprio discusses re-tooling the script for ‘Killers’, plus his future projects.
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FeaturesHow a “huge professional failure” led debut director Cord Jefferson to ‘American Fiction’
American Fiction won the Toronto people’s choice award.
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FeaturesDavid Fincher and Andrew Kevin Walker on creating hitman thriller ‘The Killer’
The Killer sees David Fincher deliver a lean, efficient and darkly funny hitman tale.
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FeaturesPaul King talks casting Timothée Chalamet in ‘Wonka’: “He’s slightly unknowable, like he’s stepped in from another world”
Following two hit Paddington films, Paul King cooks up an origin tale for Roald Dahl’s genius chocolatier Willy Wonka.
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Features“Independent financing is the best and worst way to make a film,” says ‘Ferrari’s’ Michael Mann
Director and car enthusiast Michael Mann talks to Screen about the long road to bringing Ferrari to the screen and why, in his 80th year, he has no plans to slow down.
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FeaturesHow Bradley Cooper harnessed his conductor obsession to make 'Maestro'
Maestro director and star Bradley Cooper talks about why his biopic of iconic composer/conductor Leonard Bernstein connects to a lifelong personal obsession.
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Features“It’s a producers dream”: inside Neom’s nine-production deal with Saudi's Telfaz11
Screen reports on Neom’s partnership with leading Saudi production company Telfaz11 to produce up to nine film and TV projects over the next three years
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FeaturesUS producer Eric Hedayat talks making $150m historical epic ‘Desert Warrior’ at Neom
Eric Hedayat — the US executive producer of the $150m ’Desert Warrior’ — talks to Screen about shooting the first tentpole feature on location at Neom’s desert facility Bajdah
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FeaturesThe wild ride behind ‘Nimona’: switching studios and staying true to its LGBTQ+ roots
Mark Salisbury talks to directors Nick Bruno and Troy Quane and source author ND Stevenson.
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FeaturesWayne Borg outlines Neom’s 2024 plans for its two productions hubs: “We’ve got a substantive pipeline”
Screen talks to Borg about how the futuristic region of Neom in Saudi Arabia is establishing itself as a go-to destination for international production.
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FeaturesJonathan Glazer on ‘The Zone Of Interest’: "I wanted to remove the artifice of filmmaking"
The film took Glazer almost nine years to make, and is only his fourth feature in 23 years.
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FeaturesTIFF spotlight: David Yates on swapping ‘Harry Potter’ for opioid drama ‘Pain Hustlers’
After 15 years in JK Rowling’s Wizarding World, Yates was keen to get back to the type of work that saw him noticed by Hollywood in the first place.
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FeaturesTIFF spotlight: why it took 20 years for Tarsem to make honour killing story ‘Dear Jassi’
“The whole thing was as Indian as you can get; out of chaos you get all of this.”
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FeaturesEmmys spotlight: How ‘The Last Of Us’ composer adapted his iconic video game score for the HBO series
Argentina-born Gustavo Santaolalla also wrote the scores for Amores Perros, Babel, and Brokeback Mountain.
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FeaturesStars of Tomorrow 2023: Ruby Stokes (actor)
Stoke’s credits include ‘Una’, ‘Lockwood’ and ‘Rocks’