All articles by Mark Salisbury – Page 4
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FeaturesEmmys spotlight: Emily Blunt on ‘The English’, executive producing and why the “best material is on television usually”
Emily Blunt speaks to Screen about her dual roles as a ‘female Clint Eastwood’ and executive producer of Hugo Blick’s revenge western The English.
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FeaturesEmmys spotlight: JA Bayona on directing ‘The Rings Of Power’ - “I was there to tell the story in a very cinematic way”
Bayona helped JD Payne and Patrick McKay set up the world of ’The Rings Of Power’, as well as helm the first two episodes.
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FeaturesEmmys spotlight: Daniel Radcliffe talks having fun with ‘Weird: The Al Yankovic Story', new 'Harry Potter' series
Daniel Radcliffe tells Mark Salisbury about the peculiar joy of playing the eponymous parody pop sensation in fictional music biopic Weird: The Al Yankovic Story
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FeaturesThe story behind Ke Huy Quan’s Hollywood comeback: “The future looked very bleak”
Former child actor Ke Huy Quan put his Hollywood dreams on hold for decades due to the paucity of Asian roles.
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FeaturesJoseph Kosinski breaks down four key scenes from ‘Top Gun: Maverick’: “We pushed it as far as it could be pushed”
Top Gun: Maverick seduced audiences with powerful setpieces and magic moments that pay homage to the original 1986 film. Director Joseph Kosinski tells Screen about the shooting of four key sequences.
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Features‘Elvis’ cinematographer Mandy Walker breaks down how she and Baz Luhrmann recreated the real musical performances
“[Baz Luhrmann told me] the camera needs to dance with Elvis, so I want you to work out how to do that.”
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FeaturesDirectors including Jane Campion, Thomas Vinterberg and Luca Guadagnino discuss Berlin honoree Steven Spielberg’s legacy
Screen International asks 13 filmmakers about Spielberg’s influence on them as storytellers and his impact on global film culture.
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FeaturesEdward Berger breaks down four key scenes from ‘All Quiet On The Western Front’
First World War drama All Quiet On The Western Front has stormed the Bafta and Oscar nominations in multiple categories.
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FeaturesTodd Field breaks down four key scenes from ‘TÁR’: “It was an impossible shot”
TÁR gets under the skin of a brilliant, complex talent who is increasingly undone by her deep character flaws.
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FeaturesKerry Condon on becoming an “overnight sensation after 20 years” for ‘The Banshees Of Inisherin’
Condon is an Oscar and Bafta nominee for her role in The Banshees Of Inisherin.
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FeaturesJanusz Kaminski on creating a romanticised look for ‘The Fabelmans’ and making 20 films with Spielberg
Screen talks to the Oscar and Bafta-winning cinematographer.
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Features“The hardest thing I’ve ever done”: Behind the gruelling process of editing ‘Top Gun: Maverick’
Editor Eddie Hamilton talks to Screen.
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FeaturesJames Gray on how ‘Armageddon Time’ was inspired by his family: “Dad was worse in real life”
James Gray returns to his Queens roots with coming-of age drama Armageddon Time. The filmmaker tells Sceen what inspired him to mine his own childhood.
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FeaturesAntoine Fuqua on ‘Emancipation’, the Will Smith slap: “He was treated like he murdered someone”
Antoine Fuqua takes on the most serious subject of his career with big-budget slavery drama Emancipation, starring Will Smith.
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FeaturesHow ‘The Fabelmans’ team brought Steven Spielberg’s childhood to screen
The Fabelmans is Steven Spielberg’s most personal film to date. Screen talks to two key collaborators — screenwriter Tony Kushner and producer Kristie Macosko Krieger.
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Features“I wanted a sense of faded grandeur”: ‘Empire Of Light’ team on creating the film’s look
Sam Mendes drew on his own life experiences to create Empire Of Light — set in the early 1980s on the south coast of England. Screen talks to the filmmaker and key design department heads.
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FeaturesHow Joseph Kosinski convinced Tom Cruise to make a 'Top Gun' sequel
Producer Jerry Bruckheimer and director Joseph Kosinski tell Screen about the film’s epic journey.
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Features“I didn’t sleep for two years”: Austin Butler reveals the fear he felt every day on the set of ‘Elvis’
Austin Butler approached the title role of Baz Luhrmann’s biopic ‘Elvis’ with a mix of thrill and terror. The fast-rising star tells Mark Salisbury about his two sleep-deprived years of intense preparation.
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Features“Then I got the knee sweats”: Cate Blanchett recalls the moment after she said yes to ‘TÁR’
In TÁR, Cate Blanchett plays a brilliant classical conductor whose revered status is enabling her own bad behaviour.
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FeaturesAna de Armas on playing Marilyn Monroe in ‘Blonde’: “The heaviness and sadness of it did stay with me for a bit”
Ana de Armas threw herself into a role that required her to navigate dark and disturbing places.