![[Clockwise from top left]: 'The Voice Of Hind Rajab', 'A House Of Dynamite', 'Jay Kelly', 'After The Hunt', 'The Smashing Machine'](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/1/7/0/1459170_veniceawards_837515.jpg)
All articles by Mark Salisbury – Page 6
-
FeaturesCinematographer Ari Wegner on her year with Jane Campion making 'The Power of the Dog'
“Her only caveat was she wanted someone who would be up for being with her for the entire year before we shot,” recalls Wegner.
-
FeaturesSteven Knight on writing ‘Spencer’: “I wanted a happy ending”
“I didn’t want it to be unsympathetic to the royal family,” says Spencer screenwriter Steven Knight.
-
FeaturesTeam Screen’s best films of 2021
Which titles were favourites among Screen’s editorial team & key contributors?
-
FeaturesHow Edgar Wright channeled his obsession with the 1960s into ‘Last Night In Soho’
Edgar Wright got to visit his favourite decade — the 1960s — in twin-timeline genre-melder Last Night In Soho.
-
Features“A poetic, surreal psychotropic fantasy”: Kristen Stewart describes what drew her to ‘Spencer’
Playing Princess Diana in Pablo Larrain’s Spencer surely ranks as the biggest challenge of Kristen Stewart’s career.
-
FeaturesBarbara Broccoli, Daniel Craig, Michael G Wilson on the emotional journey of ‘No Time To Die’ and what comes next
“We really did not want to go into streaming. And we very, very much wanted to support exhibition, who were having a terrible, terrible time.”
-
Features‘The Power Of The Dog’ star Benedict Cumberbatch on his darkest film role so far
Cumberbatch spent months discussing and building his part from the inside out with director Jane Campion.
-
NewsWhat is it like to shoot an international production in Saudi Arabia?
There is huge investment in the Saudi locations infrastructure but what is the reality on the ground?
-
-
-
-
-
FeaturesUK directors Aisling Walsh, Sarah Gavron, Michael Pearce and Mahalia Belo reflect on their days at the NFTS
“I remember seeing all the students talking about films… I wanted to be there so bad!”
-
Features“A part of me was afraid”: Maggie Gyllenhaal on producing, writing and directing ‘The Lost Daughter’
Maggie Gyllenhaal and Israeli producers Talia Kleinhendler and Osnat Handelsman-Keren bonded over Elena Ferrante’s writing.
-
News“Wellbeing facilitators” could become the norm on all UK film shoots
The aim is to rid film and TV sets of cases of bullying and harrassment.
-
News“Seeing Black people doing things they enjoy is revolutionary”: Doc makers call for funding for more diverse voices
’Diversity: The Initiatives Driving Action, Not Just Talk!’ was a panel at this week’s Sunny Side of the Doc film festival.
-
NewsMarvel Studios’ Victoria Alonso talks the power of diversity at Annecy
The executive was taking part in the festival’s Women In Animation summit.
-
FeaturesMy Screen Life: UK composer Daniel Pemberton talks biggest mistake and ‘Spider-Verse 2’
The Oscar-nominated film composer discusses his messy studio, the upsides of the pandemic and being mistaken for Owen Wilson.
-
Features‘Mank’ writer-producer Eric Roth on working with Fincher, ’Dune’, Scorsese’s next project
Oscar-winning screenwriter Eric Roth served twin roles on Mank — punching up Jack Fincher’s screenplay and as producer
-
Features‘His House’ star Wunmi Mosaku: “I realised my goal can’t be just to survive anymore”
With more than 50 screen credits, Wunmi Mosaku has her first major film acting nomination with refugee-themed genre tale His House.