All articles by Mark Salisbury – Page 9
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Features'Jojo Rabbit' star Thomasin McKenzie: "It is so important that people watch this film"
McKenzie plays Elsa, a Jewish teen in Nazi Germany.
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FeaturesStars of Tomorrow one-to-one: Julien Temple & Terence Dunn
Composer Terence Dunn met with veteran film and pop-video director Julien Temple, whose music-film collaborators include the Rolling Stones and the Sex Pistols.
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FeaturesGrant Heslov on why TV was the perfect format for 'Catch 22'
Smokehouse chief speaks to Screen about the daunting task of bringing Joseph Heller’s satirical novel to life.
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Features'BlacKkKlansman' producers on pitching Spike Lee and the film's lasting impact
“We want this film to wake people the fuck up, and to talk about this very real problem, which is happening in society every single day, all the way to the Oval Office.”
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FeaturesHow UK-born producer Lynette Howell Taylor played a key role in 'A Star Is Born'
Los Angeles-based producer Lynette Howell Taylor, born in Liverpool, has produced more than 20 films since 2006.
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FeaturesThe story behind hit doc 'Free Solo': "Success was Alex surviving"
The documentary is nominated at the Baftas and Oscars.
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FeaturesHow Rami Malek survived the "very difficult" 'Bohemian Rhapsody' shoot
”I’m very, very proud of the way I conducted myself. I have never felt I could be more of a leader than I was on that set.”
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FeaturesAmy Adams on going method to play Lynne Cheney in 'Vice'
Adams is Golden Globe-nominated for her role.
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FeaturesMore than an awards show: behind the scenes of the Golden Globes
The Hollywood Foreign Press Association donates substantial charitable funding to a variety of organisations.
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FeaturesWhy Margot Robbie first turned down the role of Queen Elizabeth in 'Mary Queen Of Scots'
Bette Davis, Helen Mirren, Cate Blanchett have played the part before.
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FeaturesIs the film industry doing enough to engage female audiences?
A 2017 TGI survey showed women as 52% of the UK cinemagoing population.
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Features'Phantom Thread' producer JoAnne Sellar on Paul Thomas Anderson: "He's mellowed a lot"
Veteran producer has worked with the director since ‘Boogie Nights’.
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FeaturesHow 'Dunkirk' cinematographer Hoyte van Hoytema created "virtual reality without the goggles"
Dunkirk challenged Hoyte van Hoytema to bring Imax cameras into the heart of the action on land, sea and air.
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FeaturesThe behind-the-scenes story of Steven Spielberg's 'The Post'
Spielberg’s Oscar contendor has had a rapid journey to awards season.
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FeaturesThe story behind Andrew Garfield and Claire Foy disability drama 'Breathe'
Mark Salisbury visits the set of Andy Serkis’s new film.
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FeaturesHow the UK is addressing its crew shortage
The need for specialist courses is rising; how does this compare in France and Germany?
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Features'Fantastic Beasts': why the New York sets were mostly built in Watford
Legendary Harry Potter production designer Stuart Craig tells us how he built the world of Fantastic Beasts.
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FeaturesHow Andrew Stanton fixed the major narrative problem in 'Finding Dory'
“There was some glass ceiling on why our story wasn’t getting better.”
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FeaturesTraining: Visual Effects
Huge numbers of people are working around the world in the rapidly expanding VFX and computer animation sector. But where is the next generation of specialised talent coming from?
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FeaturesBerlin Q&A: Vincent Perez, 'Alone In Berlin'
Arthouse favourite and fixture of period dramas such as Cyrano De Bergerac and La Reine Margot, Vincent Perez has moved steadily towards directing since his 1992 short L’échange.