All articles by Tim Grierson, Senior US critic
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Reviews‘Paper Tiger’ review: Adam Driver, Miles Teller and Scarlett Johansson drive James Gray’s textured 1980s crime thriller
Gray’s Cannes Competition premiere unfolds in 1980s Queens
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Reviews‘All Of A Sudden’ review: Virginie Efira and Tao Okamoto form a magnetic connection in Ryusuke Hamaguchi’s rich Paris drama
The film marks the third time that Hamaguchi has played in Cannes Competition
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Reviews‘The Blow’ review: Raw, affecting French debut explores the fault lines in a troubled family
Julien Gaspar-Oliveri’s Critics’ Week title stars Diego Murgia and Romane Fringeli
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Reviews‘The Diary Of A Chambermaid’ review: Radu Jude adapts the 1900 novel into a biting commentary on the modern class divide
Melanie Thierry, Vincent Macaigne and Ana Dumitrascu star in the Romanian director’s restrained Directors’ Fortnight title
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Reviews‘Parallel Tales’ review: Asghar Farhadi drama is convoluted, superficial musing on the interplay between fact and fiction
Farhadi’s French language Cannes Competition title stars Isabelle Huppert, Virginie Efira and Vincent Cassel
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Reviews‘Teenage Sex And Death At Camp Miasma’: Fear and desire are potent bedfellows in Jane Schoenbrun’s twisty satire
Hannah Einbinder and Gillian Anderson star in Schoenbrun’s follow-up to ‘I Saw The TV Glow’
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Reviews‘Ashes’ review: Diego Luna directs a quiet exploration of the Mexican immigrant experience
Luna’s fourth directorial feature stars an impressive Anna Diaz and premieres as a Cannes Special Screening
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Reviews‘Power Ballad’ review: Paul Rudd and Nick Jonas pluck the heartstrings in overly sentimental John Carney drama
Carney follows up ‘Once’ and ‘Sing Street’ with wistful, unconvincing music industry tale
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FeaturesWhy there is growing enthusiasm from young audiences for watching films on celluloid
Young audiences are excited for authentic experiences — good news for venues projecting film from physical prints.
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Reviews‘Michael’ review: Antoine Fuqua’s bland biopic glosses over Michael Jackson’s troubled legacy
Jackson’s nephew Jafaar Jackson stars as The King Of Pop, alongside Colman Domingo and Nia Long
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Reviews‘The Mummy’ review: Lee Cronin follows ‘Evil Dead Rise’ with listless take on the classic monster movie
Jack Reynor and Laia Costa star in Cronin’s gory, derivative possession horror
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Reviews‘The Super Mario Galaxy Movie’ review: Chris Pratt, Anya-Taylor Joy and Jack Black return to voice chaotic animated sequel
Glen Powell, Brie Larson and Donald Glover also join the cast of Nintendo video game animation
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Reviews‘The Drama’ review: Zendaya and Robert Pattinson steer provocative dark comedy
Twisting relationship drama from ‘Dream Scenario’ director Kristoffer Borgli also stars Alana Haim and Mamoudou Athie
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Reviews‘Madfabulous’ review: Wales-set debut proves too pedestrian for its flamboyant real-life subject
Callum Scott Howells plays rebellious aristocrat the Fifth Marquess of Anglesey in this BFI Flare premiere
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Reviews‘Reminders Of Him’ review: Maika Monroe and Tyriq Withers star in predictable, shallow adaptation of Colleen Hoover novel
Fraught love story follows previous Hoover adaptations ‘It Ends With Us’ and ‘Regretting You’
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Reviews‘Project Hail Mary’ review: Ryan Gosling is a wise-cracking hero in Lord and Miller’s irreverent sci-fi
Phil Lord and Christopher Miller’s entertaining space adventure also stars Sandra Huller
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Reviews‘Hoppers’ review: Pixar bounces back with charmingly oddball family animation
A teenager goes to extreme lengths to save an endangered glade in Daniel Chong’s warm-hearted environmental comedy
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Reviews‘Scream 7’ review: Returning star Neve Campbell fails to reinvigorate blunt horror franchise
Courteney Cox also makes an appearance in first ’Scream’ film to be directed by original writer Kevin Williamson
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Reviews‘How To Make A Killing’ review: Glen Powell is out for murder in glib, underwritten crime dud
John Patton Ford’s follow-up to ‘Emily The Criminal’ also stars Margaret Qualley, Jessica Henwick and Ed Harris
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Reviews‘Safe Exit’ review: Mohammed Hammad follows ‘Withered Green’ with spare Egyptian drama
Marwan Waleed anchors a restrained portrait of alienation in Hammad’s second feature