All UK/Ireland articles – Page 2
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FeaturesMy Screen Life: Searchlight Pictures’ Katie Goodson-Thomas on her affinity with Chewbacca, and how she unwinds
UK-based Searchlight executive also reflects on her long collaboration with Graham Broadbent.
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NewsSports comedy ‘Hot Curlers’ to shoot in NZ and Canada for Cornerstone Films
Cornerstone Films is selling the project at TIFF: The Market.
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NewsNiki Lauda Formula One doc attaches sales agent
WestEnd Films is launching ‘Lauda’ at TIFF: The Market.
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News‘Primetime’ plus Screen Talks with Javier Bardem and Robert Eggers join LFF lineup
Chris Rock’s ‘Misty Green’ and Banjong Pisanthanakun’s ’Inherit’ have also joined the lineup.
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NewsHoldovers dominate UK-Ireland box office as new releases miss the top 10
‘The Death Of Robin Hood’ is highest-placed new title in 11th place.
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NewsOlive Nwosu’s Sundance prize winner ‘Lady’ picked up for UK-Ireland
The film will compete in the first feature competition at BFI London Film Festival next month.
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News2026 film and high-end TV productions shooting in the UK and Ireland: latest updates
Screen reveals a snapshot of the latest high-end TV and film productions shooting in the UK for the big studios and streamers.
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News‘The Inbetweeners 3’ begins production in UK for Netflix
Original cast, directors return for comedy feature; film is made with Film4’s support.
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NewsToronto-bound ‘Long Long Night’, Hong Sangsoo’s ‘Nowhere To Lay My Eyes’ land sales
Further deals struck on Cannes Directors’ Fortnight title ‘Dora’.
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NewsHighest-grossing summer ever pushes UK-Ireland box office ahead of 2019
“Exceptional” August brings in £119.2m, up 67% on last year.
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Reviews‘Oasis: Don’t Look Back In Anger’ review: Sentimental doc about UK band’s reunion plays best when it focuses on the music
Directors Dylan Southern and Will Lovelace chart Oasis’s 2025 tour in Venice out of competition title
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NewsWhy Oasis film ‘Don’t Look Back In Anger’ had to be a doc: “No one could play Liam Gallagher”
The Gallagher brothers skipped the Venice press conference for the film.
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Reviews‘Our Share Of Sand’ review: A move from the UK to rural India proves a painful rite-of-passage in quietly powerful debut
Shalini Adnani’s level-headed Venice Critics Week titles features a strong performance from newcomer Maya Mehta
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Reviews‘Elsinore’ review: Andrew Scott is triumphant as terminally ill Scottish actor Ian Charleson in poignant ’80s theatreland drama
Simon Stone’s dramatisation of Charleson’s portrayal of Hamlet bows in Telluride before traveling to Toronto and London
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Reviews‘Tender Loving Care’ review: Mike Leigh turns his compassionate gaze on contemporary Londoners
The veteran filmaker’s modestly scaled ensemble drama should connect with loyal admirers and discerning arthouse audiences
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Reviews‘Queer Edward II’ review: Intimate doc links the making of Derek Jarman’s 1991 feature Edward II and wider LGBTQ+ activism
Theo Rollason’s entertaining Venice out of competition title goes behind the scenes of Jarman’s feature
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News‘Queer Edward II’ team on Derek Jarman’s inclusive sets and why “we can’t protest enough”
“Derek Jarman could talk to somebody sweeping the floor about what the next shot was,” said Sandy Powell.
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Features‘Our Share Of Sand’’s UK filmmakers talk shooting in India, with child actors, in three languages
The Venice Critics’ Week premiere the feature debut of Shalini Adnani and is produced by Sara Bonakdar.
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NewsBBFC’s chief executive David Austin to step down
The BBFC board will begin a recruitment process for a new chief executive immediately.
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News‘Rose Of Nevada’ producer Bosena launches UK rural, coastal development programme
Programme will support 10 early-career producers over 24 weeks.