![[Clockwise from top left]: 'The Voice Of Hind Rajab', 'A House Of Dynamite', 'Jay Kelly', 'After The Hunt', 'The Smashing Machine'](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/1/7/0/1459170_veniceawards_837515.jpg)
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NewsMichael Haneke to create first TV project
‘After ten TV-movies and twelve films, I wanted to tell a longer story for once.’
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NewsZurich to honour Michael Haneke
Zurich Film Festival to honour the Oscar-winner director of Amour and The White Ribbon.
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NewsMichael Haneke, Les Films du Losange plot White Ribbon follow-up
Following up this year’s Cannes Palme d’Or win for The White Ribbon, Michael Haneke is currently drafting his next project and has already set his two lead actors in 79 year-old French veteran Jean-Louis Trintingnant and Haneke regular Isabelle Huppert, who will play Trintingant’s daughter.The director is working on an ...
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FeaturesMichael Haneke
Michael Haneke’s latest film Amour won the Palme d’Or at Cannes this year and continues to attract awards attention. The Austrian auteur talks to John Hazelton about tackling ageing and suffering on screen — and why he doesn’t like improvisation
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NewsHaneke, White Ribbon triumph at European Film Awards
Michael Haneke’s The White Ribbon (Das Weisse Band) was the big winner at this year’s European Film Awards, taking awards for European film, director and screenwriter of the year.
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NewsFrench industry titan and pioneering producer Margaret Menegoz dies at 83
Hungarian-born German-French producer died in Montpellier on August 7.
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NewsMichael Haneke's The White Ribbon wins Palme d'Or
Michael Haneke’s The White Ribbon won the Palme d’Or on Sunday night (May 24) in Cannes.
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NewsSPC acquires Michael Haneke’s 'Happy End'
The distributor has picked up North American and Latin American rights to the Austrian auteur’s upcoming French production which wrapped in late August.
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NewsWhite Ribbon, A Prophet on foreign language Oscar shortlist
As expected Michael Haneke’s German entry The White Ribbon (pictured) and Jacques Audiard’s A Prophet from France have made it on to the Academy’s foregn language shortlist, although Bong Joon-ho’s widely admired South Korean film Mother is the notable omission.
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