Festival reviews – Page 18
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Reviews
‘Behind The Mountains’: Venice Review
A Tunisian man becomes convinced he can fly in Mohamed Ben Attia’s intriguing third feature
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Reviews
‘Coup de Chance’: Venice Review
Woody Allen finds a certain je ne sais quoi with this appealing Paris-set comedy
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Reviews
‘Priscilla’: Venice Review
Sofia Coppola explores the dark heart of Priscilla Presley’s relationship with rock superstar Elvis
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Reviews
‘Evil Does Not Exist’: Venice Review
Ryusuke Hamaguchi follows up ’Drive My Car’ with a charming rural fable
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Reviews
‘Hesitation Wound’: Venice Review
A lawyer’s morality is put to the test during a murder trial in this compelling Turkish drama
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Reviews
‘Love Is A Gun’: Venice Review
Taiwanese actor Lee Hong-chi makes his directorial debut with this tale of an ex-convict desperately trying to go straight
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Reviews
‘Pet Shop Days’: Venice Review
Olmo Schnabel’s New York-set debut looks to lure in hip arthouse crowds
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Reviews
‘The Killer’: Venice Review
Michael Fassbender is a stone cold killer in David Fincher’s reunion with ’Se7en’ writer Andrew Kevin Walker
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Reviews
‘Tatami’: Venice Review
An Iran/Israel collaboration results in a first-class bout with politics in this tense judo drama
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Reviews
‘Humanist Vampire Seeking Consenting Suicidal Person’: Venice Review
A vampire who refuses to kill makes a life-changing connection in this Quebecois debut at Venice and Tiff
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Reviews
‘The Beast’: Venice Review
Betrand Bonello’s adaptation of the Henry James novella is a retro/futurist drama starring Léa Seydoux and George MacKay
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Reviews
‘Menus-Plaisirs – Les Troisgros’: Venice Review
Frederick Wiseman takes time to savour his subject in this absorbing four-hour documentary about a French restaurant
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Reviews
‘The Vourdalak’: Venice Review
Tolstoy’s blood-sucking novella gets an imaginative reworking by French stylist Adrien Beau
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Reviews
‘The Featherweight’: Venice Review
Faux documentary which perfectly captures the fading glory of real-life featherweight boxing champ Willie Pep
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Reviews
‘The Theory Of Everything’: Venice Review
A conference about quantum physics in 1960s Switzerland plays host to this atmospheric noir debut
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Reviews
‘Aggro Dr1ft’: Venice Review
Harmony Korine aims for post-cinema in a film shot using thermal imagery and without a screenplay
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Reviews
‘Explanation For Everything’: Venice Review
Hungary’s political divisions are manifested by a teenage student facing unrest both at home and school
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Reviews
‘The Palace’: Venice Review
Roman Polanski’s attempted comedy set in a Swiss luxury hotel proves to be anything but five star
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Reviews
‘The Rescue’: Venice Review
The kidnap of a businessman reveals the fragility of Argentina’s new-found democracy in this 1980s-set drama