All Interview articles – Page 24
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FeaturesWord of mouth: ‘Fauda’, ‘Liaison’ star Laëtitia Eïdo reveals how she curates her cultural feed
The French star of Netflix’s Fauda ,Apple TV’s Liaison and Terrence Malick’s The Last Planet particularly enjoys podcasts.
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FeaturesGlasgow Film Festival’s Allison Gardner on collaborations, funding challenges and having a good time
The festival runs March 1-12.
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NewsBerlin co-heads Carlo Chatrian and Mariette Rissenbeek reflect on 2023 edition, racism debate and next steps
Chatrian and Rissenbeek are four years into their five-year contracts.
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FeaturesDirector Makoto Shinkai on the inspiration behind box-office hit ‘Suzume’
The film is the first anime feature selected to play in Competition at the Berlinale since 2002.
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FeaturesFremantle’s global drama CEO Christian Vesper outlines “nascent” film strategy
In 2023, Fremantle expects to surpass the 100 series and 17 films it made last year.
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Features“Everything has changed”: Berlinale co-heads reveal challenges of planning 2023 edition
Carlo Chatrian and Mariette Rissenbeek reflect on the impact of the pandemic, why there are no titles from Russia and receiving a €2.2m funding boost.
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![A_House_in_Jerusalem_PalCine_Productions_Metafora_AHIJ_UK_The_British_Film_Institute_Red_Balloon_Film_ZDF_ARTE_KeyFilm[73]](https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/6/3/0/1389630_a_house_in_jerusalem_palcine_productions_metafora_ahij_uk_the_british_film_institute_red_balloon_film_zdf_arte_keyfilm73_879180_crop.png)
FeaturesHow Muayad Alayan filmed ‘A House In Jerusalem’ in Palestine and Israel during the pandemic
The title received its world premiere in the Limelight strand at Rotterdam.
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FeaturesUkrainian director Philip Sotnychenko has mixed feelings being at a film festival: “Our fight is on the cultural front”
’La Palisiada’, the debut feature of Kyiv-based filmmaker Philip Sotnychenko, is screening in the Tiger competition at Rotterdam.
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FeaturesNew talent focus: ‘Wolf And Dog’ director Cláudia Varejão on why she moved from docs to fiction
“I realised fiction can be a place of freedom.”
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NewsJessica Woodworth on her Rotterdam world premiere ‘Luka’: “What I really love is its intrinsic humour”
The ambitious film is based on the classic Italian novel, Dino Buzatti’s ’The Desert Of The Tatars’
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FeaturesTopkapi producer Laurette Schillings on the company’s strategy for reaching international audiences
‘Goodbye Stranger’, the latest film from the Dutch company, is debuting in Rotterdam this month.
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FeaturesRotterdam’s Vanja Kaludjercic on diversifying the line-up for her first in-person festival
Kaludjercic talks about the role the festival plays in bringing smaller filmmakers to a global audience.
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FeaturesHow Sundance doc ‘Fantastic Machine’ explores our obsession with framing the world through the camera lens
Axel Danielson and Maximilien Van Aertryck’s feature doc world premieres at Sundance.
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FeaturesSundance breakout Chloe Domont on ‘Fair Play’: “I wanted to reckon with unresolved feelings from my past”
Director talks ”unsettling link between female empowerment and male fragility”, finance jargon, next project.
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Features‘Lady Macbeth’ director William Oldroyd talks Sundance title ‘Eileen’: “I love provocation in cinema”
“It took me 36 years to make my first film. Making the second five years later is short!”
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FeaturesBafta chair Krishnendu Majumdar reflects on final year in role, “progress” of 2023 film nominations
Under Majumdar’s watch, Bafta embarked on a radical overhaul of its voting procedures and membership to improve diversity.
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Features‘Babylon’ team on designing Damien Chazelle’s ambitious Old Hollywood vision: “It was high octane”
Damien Chazelle’s 1920s tale of outsiders breaking into Hollywood combines rich and poor, opulent parties and desert locations — as Babylon production designer Florencia Martin and costume designer Mary Zophres explain to Screen.
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FeaturesHow Ruth E Carter pays tribute to T’Challa through the outfits in ‘Black Panther: Wakanda Forever’
Following her Oscar-winning work on Black Panther, costume designer Ruth E Carter tells Amber Wilkinson how her designs for the sequel honour its departed lead character while expanding the film’s world.
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Features“The hardest thing I’ve ever done”: Behind the gruelling process of editing ‘Top Gun: Maverick’
Editor Eddie Hamilton talks to Screen.
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FeaturesMy Screen Life: ‘A Man Called Otto’ producer Rita Wilson on Venice, ‘Mary Poppins’ and the FBI
The actress, producer and singer is Oscar-shortlisted for the song ‘Til You’re Home’.