![[Clockwise from top left]: 'The Voice Of Hind Rajab', 'A House Of Dynamite', 'Jay Kelly', 'After The Hunt', 'The Smashing Machine'](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/1/7/0/1459170_veniceawards_837515.jpg)
All articles by John Hazelton – Page 99
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FeaturesTough times in Hollywood
Is the art of the screenwriter drowning in a sea of action blockbusters and diminishing budgets or will more writers follow in the wake of this year’s award winners, crafting screenplays with distinctive voices and sophisticated narratives? John Hazelton reports
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FeaturesCredit crunch
Is there a better method for assigning screenplay writing credits than the WGA’s controversial and complex arbitration procedures? John Hazelton talks to writers
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NewsOscar nominees react
Academy Award contenders were celebrating and theorising in the wake of the Oscar nominations announcement on Tuesday morning.
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FeaturesHans Zimmer-composer, Inception
For the score of Inception, Hans Zimmer used mathematics to mirror its complex plot.
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FeaturesAR Rahman-Composer, 127 Hours
Danny Boyle gave AR Rahman two months to compose a complete symphony.
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FeaturesTrent Reznor--Composer, The Social Network
Trent Reznor went the distance for David Fincher in scoring The Social Network, he tells John Hazelton
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FeaturesAaron Sorkin – Screenwriter,The Social Network
The complex story behind the creation of Facebook was a challenge, even for Aaron Sorkin. He tells John Hazelton how his moral compass met Sony’s lawyers