Latest – Page 321
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Features
Ivan Kavanagh, The Canal
The director talks about Park Films’ deeply atmospheric Ireland/UK movie starring Rupert Evans, former Screen Star Of Tomorrow Antonia Campbell-Hughes and youngster Calum Heath.
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BFI London Film Festival 2014, opening night
PHOTO GALLERY: Benedict Cumberbatch and Keira Knightley were among the stars who took to the red carpet for the European premiere of The Imitation Game - the opening night film of the 58th BFI London Film Festival.
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Sadyk Sher-Niyaz, Kurmanjan Datka
Kurmanjan Datka is this year’s official foreign-language Oscar entry for Kyrgyzstan and recounts the story of one of the country’s most celebrated female leaders, who lived from 1811-1907.
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Korea’s digital market gives industry hope
Digital revenues have more than tripled in Korea in the past four years, although VOD revenue is driven by theatrical hits and the industry is clamouring for more data.
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Tetsuya Nakashima, The World Of Kanako
Japanese director Tetsuya Nakashima, known for films such as Confessions and Memories Of Matsuko, has brought The World Of Kanako to Busan’s Midnight Passion section.
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Li Xiaofeng, Nezha
Li Xiaofeng’s debut feature Nezha, which is premiering in Busan’s New Currents competition, is a coming-of-age drama about the friendship between two teenage girls.
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Features
Lana Gogoberidze, Salome Alexi
The daughter and granddaughter of Georgia’s first female director talk about their films, Day Is Longer Than Night and Felicita, which are screening in Busan showcase ‘The Power of Georgian Women Filmmakers’.
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Clare Stewart, London Film Festival
Clare Stewart, director of BFI London Film Festival, tells Michael Rosser that a revamped programming approach is paying off.
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Woo Ming Jin, The Second Life Of Thieves
Malaysian director Woo Ming Jin is in Busan to present his film The Second Life Of Thieves, which is making its world premiere in the Window on Asian Cinema section.
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Mohsen Makhmalbaf talks The President
Iranian director-in-exile Mohsen Makhmalbaf has The President screening in the Gala Presentation section of this year’s BIFF, while Hassan Solhjou’s documentary Daddy’s School, about him and his filmmaking family, screens in Wide Angle.
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Busan: Asian Film Market 2014
Korea’s expanding VoD market and increasing cooperation between Korea and China are driving growth at this year’s Asian Film Market.
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Ann Hui, The Golden Era
Ann Hui, Busan’s Asian Filmmaker of the Year, talks to Liz Shackleton about her Venice closing film, The Golden Era, Hong Kong cinema and her history with BIFF.
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Busan: Asian Project Market 2014
This year’s Asian Project Market includes a strong showing from China among the 30 projects.
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Lee Yong-kwan, Busan Film Festival
Lee Yong-kwan tells Jean Noh about Busan International Film Festival’s role in the international industry, the diverse, new voices of Asian cinema and the festival’s focus on safety and stability
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Partho Sen-Gupta, Sunrise
Receiving its world premiere in BIFF’s New Currents competition, Partho Sen-Gupta’s Sunrise tells the story of a police inspector whose daughter was kidnapped years ago when she was only six.The Marathi-language film blurs the boundaries between reality and dreams, as the police inspector believes he has found her working in ...
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Features
Iceland: Baltasar Kormakur & Agnes Johansen, RKV Studios
Film-maker Baltasar Kormakur and his producing partner Agnes Johansen talk to Wendy Mitchell about building RVK Studios, a Reykjavik firm that has global ambitions while staying true to its local roots.
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Iceland: Hot talent - a cool dozen
Despite local budget cuts, Iceland’s directors and producers are preparing a slew of exciting projects. Wendy Mitchell talks to 12 of the country’s top talents.
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TERRITORY FOCUS: Iceland
Iceland has seen a recent Hollywood boom with projects such as Noah, Game Of Thrones and The Secret Life Of Walter Mitty, and local talents are also thriving despite funding challenges. Wendy Mitchell looks at the filmic draw of this unique island nation.
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Australia: Advancing Australian fare
With its depth of talent, financial incentives and appeal as a co-production partner, the growth of Australia’s film industry continues unabated. By Sandy George.