All articles by Nikki Baughan
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Reviews
‘Peak Everything’ review: Anne Emond’s bilingual romance takes some outlandish detours
Canadian director presents a romantic comedy, disaster movie, family drama and eco-horror rolled into one
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Reviews
‘Pillion’ review: Alexander Skarsgard and Harry Melling star in frank British debut
Writer/director Harry Lighton sensitively explores a submissive gay relationship
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Reviews
‘Dangerous Animals’ review: Sean Byrne’s Australian sharksploitation lacks real bite
Jai Courtney and Hassie Harrison star in this messy genre mash-up
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Reviews
‘Bono: Stories Of Surrender’ review: U2’s Bono looks back in energetic solo show
Andrew Dominik turns Bono’s 2022 stage tour into an immersive performance for Apple
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Reviews
‘Death Does Not Exist’ review: Animation follows young activists into battle
Felix Dufour-Laperrier’s fourth feature explores the individual impact of violent protest
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Reviews
‘Reedland’ review: A violent crime rocks a rural Dutch community
Sven Bresser’s confident Critics Week debut makes effective use of its traditional setting
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Reviews
‘Iron Winter’ review: Young Mongolian herdsmen drive into an extreme climate event
Australian co-pro tracks a lethal winter migration
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News
Mounia Akl, Anna Hints, Micah Magee selected for TorinoFilmLab’s ScriptLab 2025
This year’s edition features 13 women, seven men and two non-binary participants
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Reviews
‘Warfare’ review: Alex Garland co-directs tense Iraq combat drama
Garland and co-director Ray Mendoza recreate a 2006 Navy SEAL mission in real-time with stars Cosmo Jarvis and Will Poulter
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Reviews
‘The Woman In The Yard’ review: Danielle Deadwyler stars in Blumhouse horror
Jaume Collett-Serra directs the latest chiller from the genre powerhouse
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Reviews
‘Mr Burton’ review: Toby Jones stars in Richard Burton origins story
Drama explores the Welsh actor’s journey from the valleys to stardom
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Reviews
‘Long Day’s Journey Into Night’ review: Jessica Lange and Ed Harris power delayed adaptation
Theatre director Jonathan Kent’s feature debut premieres at Glasgow and Dublin
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Reviews
‘Tornado’ review: Tim Roth, Jack Lowden and Kôki do battle in 18th century Britain
John Maclean’s Western/samurai hybrid thriller opens Glasgow Film Festival
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Reviews
‘Welcome Home Baby’ review: Austrian genre title opens Panorama at Berlin
Julia Franz Richter takes centre stage in this conventional, if atmospheric, horror
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Reviews
‘Dreams In Nightmares’: Queer black femmes shine in confident reframing of the road trip movie
Shatara Michelle Ford’s feature premiered at Black Star and screens at the Berlinale
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Reviews
‘Third Act’: Sundance Review
Portrait of Asian American filmmaker Robert M Nakamura by his son, Tadashi
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Reviews
‘Companion’: Review
Sophie Thatcher and Jack Quaid find a romantic getaway turning sour in this smart horror
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Reviews
‘Selena Y Los Dinos’: Sundance Review
The life of Latina singing sensation Selena Quintanilla-Perez, as told by her family
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Reviews
‘How To Build A Library’: Sundance Review
The restoration of a fading colonial-era library in Kenya proves to be a touchpoint for the country’s issues