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‘Sleep No More’ review: A decaying Indonesian wig factory hides a dark secret in Edwin’s outré horror
The filmmaker’s follow-up to Locarno winner ’Vengeance Is Mine, All Others Pay Cash’ bows as a Berlin Special Screening
‘The Day She Returns’ review: Hong Sangsoo’s slight, ponderous character study stars Song Sunmi
Sunmi’s expressive performance lifts the director’s slow-burning Berlin Panorama title
‘Wolfram’ review: Warwick Thornton’s period Outback thriller is visually stunning, narratively flat
The acclaimed director’s Berlin Competition title is a sequel-of-sorts to 2017’s ’Sweet Country’
‘A New Dawn’ review: Slight Japanese debut pairs delicate 2D animation with story of resistance
Yoshitoshi Shinomiya’s Berlin Competition title is set in a legendary fireworks factory scheduled for destruction
‘Filipiñana’ review: A wealthy Manila country club plays host to this poised, potent study of power and corruption
Filipino director Rafael Manue’s enigmatic debut is executive-produced by Chinese filmmaker Jia Zhiangke
‘We Are All Strangers’ review: Anthony Chen’s involving drama charts generational tensions in contemporary Singapore
Berlin Competition drama follows ‘Ilo Ilo’ and ‘Wet Season’ to close the filmmaker’s ‘Growing Up’ trilogy
‘Salvation’ review: Emin Alper weaves timely tale of prophecy, paranoia and blood feuds in rural Turkey
The director’s second Berlin competition title follows two warring clans in the Turkish mountains
‘Light Pillar’ review: Xu Zao’s distinctive animated debut finds poetry in digital escape
Berlin Perspectives title is set around a decaying film production facility and utilises immersive hand-drawn visuals
‘Moonglow’ review: Isabel Sandoval directs and stars in underpowered Filipino neo-noir
Police corruption procedural bows in Rotterdam’s Big Screen Competition
‘Silenced’ review: Damning Australian doc explores the legal backlash to the #MeToo movement
Filmmaker Selina Miles focuses on several high-profile women who have faced defamation cases, including Amber Heard
‘Levitating’ review: Global singing star Anggun impresses in ambitious, lyrical Indonesian drama
Wregas Bhanuteja’s third feature premieres in Sundance’s World Cinema Dramatic competition
‘Saccharine’ review: Natalie Erika James follows ‘Relic’ with potent weight loss body horror
Midori Francis impresses as a medical student going to extreme lengths for the perfect body
‘Early Days’ review: Elegant Mumbai-set debut explores intrusive impact of social media
Red Sea New Visions title is a strong calling card for writer/director Priyankar Patra
‘Under Current’ review: ‘Infernal Affairs’ co-director Alan Mak serves up flat Hong Kong actioner
Aaron Kwok, Simon Yam and Francis Ng star in entertaining but silly crime thriller
‘Black Rabbit, White Rabbit’ review: Audacious, ambitious Tajiki time-loop drama unfolds in film studio
Chosen as Tajikistan’s official Oscar submission, Shahram Mokri’s feature now plays Red Sea Competition
‘Nighttime Sounds’ review: Confident, lyrical drama focuses on marginalised women in rural China
Zhang Zongchen’s follow-up to ‘The Last Farewell’ now plays in Red Sea competition
‘Scarlet’ review: Japan’s Mamoru Hosoda borrows from ‘Hamlet’ for striking animated tale of revenge
The ‘Mirai’ and ‘Belle’ director’s latest begins its international rollout after proving a hit at the Japanese box office
‘First Light’ review: A nun wrestles with her faith in assured, precisely crafted Philippines-set debut
The confident first feature from Australian director James J Robinson plays Marrakech competition
‘Tere Ishk Mein’ review: Tamil star Dhanush stars in glossy, engaging Bollywood love story
Aanand L Rai’s feature debuts at IFFI Goa alongside a day and date rollout across various territories
‘Gondhal’ review: An Indian wedding party turns sour in polished Marathi-language debut
Santosh Davakhar’s impressive first feature premieres in Goa competition
