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‘Brick’ review: A German couple hits the wall in satisfying Netflix thriller
Philip Koch’s sci-fi drama bows on the streamer following its Munich premiere
‘I’m Not Stiller’ review: Paula Beer and Albrecht Schuch star in 1950s Zurich-set thriller
Stefan Haupt’s adaptation of Max Frisch’s novel about identity premieres in Munich
‘All That’s Due’ review: A German family comes undone in Franz Müller’s strained domestic drama
The Munich premiere is a sequel to Müller’s 2009 feature ‘Wallace Line’
‘Karla’ review: A young girl seeks justice in delicately calibrated German debut
Rainer Bock stars in Christina Tournatzés’ 1960s-set feature
‘The Last Spy’ review: CIA spymaster Peter Sichel shares his eye-opening life story
Katharina Otto-Bernstein’s extensive documentary follows Sichel’s involvement in key moments of 20th-century history
‘Saturn’ review’: Transilvania non-fiction winner paints complex portrait of fractured Spanish family
Director Daniel Tornero turns the camera inwards for his What’s Up, Doc? winning debut
‘Bright Future’ review: Romanian documentary revisits 1989 Pyongyang Festival of Youth and Students
Andra MacMasters’ archival essay named best debut feature in Transilvania’s Romanian Days
‘Olivia And The Invisible Earthquake’ review: Empathetic Spanish stop-motion captures life on the poverty line
Irene Iborra Rizo’s accomplished Barcelona-set debut premieres in Annecy competition
‘Arco’ review: Natalie Portman produces appealing French time-travel animation
Ugo Bienvenu’s 2D debut feature sees a boy from the far future crash-land in 2075
‘Dandelion’s Odyssey’ review: Artistic animation takes a plant’s eye-view of the apocalypse
Momoko Seto’s dialogue-free feature blends computer animation and time-lapse photography
‘13 Days 13 Nights’ review: Roschdy Zem stars in real-life Kabul extraction thriller
Dramatisation of removal of French citizens from Afghanistan in August 2021
‘Young Mothers’ review: Five teenage mothers form the nucleus of the Dardenne brothers’ latest
The writer/directors filmed in a residential shelter for mothers near Liege
‘Colours Of Time’ review: Cédric Klapisch delivers a crowdpleasing comedy of France past and present
Suzanne Lindon headlines a film which is ‘entertaining and classy, if shamelessly contrived’
‘Caravan’ review: A mother and her disabled son take to the road in Italy
Czech debut from Zuzana Kirchnerova is born from her own personal experience and her Cinefondation-winning short
‘Yes’ review: Nadav Lapid’s post-October 7 satire is loudly divisive
Ariel Bronz stars as a musician tasked with composing a new Israeli national anthem
‘Heads Or Tails?’ review: John C. Reilly is Buffalo Bill in this ‘rambunctious’ spaghetti Western
Rising French star Nadia Tereszkiewicz also stars in this surrealist Un Certain Regard premiere
‘Nino’ review: A cancer diagnosis prompts a weekend of reckoning in tender French drama
Theodore Pellin won the Critics’ Week Rising Star Award for his ‘soulful’ performance in Pauline Loques’ debut feature
‘Sentimental Value’ review: Renate Reinsve and Joachim Trier reunite for moving family drama
Trier’s third picture to screen in Cannes Competition co-stars Stellan Skarsgard
‘Romeria’ review: Carla Simon’s third, semi-autobiographical feature is ‘pensive and rather lovely’
The Spanish director continues to mine her own history for this affecting tale of a filmmaker in the making
‘The Girls We Want’ review: Inner-city kids fumble in Marseille-set debut
The return of a prodigal daughter upsets the balance in Prïncia Car’s collaborative Directors Fortnight title
