All Cannes articles – Page 4
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NewsCannes day 10: Three key talking points from the market - The Screen Podcast
The buzziest deals, the Dogma boom and the AI for Talent summit.
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Reviews‘The Man I Love’ review: A powerful Rami Malek drives Ira Sachs’s compelling, opaque queer drama
Sachs’s Cannes Competition title plays out in 1980s New York City
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NewsCannes Critics’ Week unveils prizes for 2026 edition
Winners included ‘La Gradiva’ and Aina Clotet.
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NewsTimeless Cinema unveils platform for connecting classic film programmers and rights owners
Cannes launch comes as classic films enjoy a resurgence in cinemas.
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Reviews‘A Man Of His Time’ review: A superb Swann Arlaud powers Emmanuel Marre’s ambitious, overlong Vichy France drama
The Cannes Competition title follows real-life opportunist Henri Marre as he seeks to make a mark in 1940s France
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Reviews‘Red Rocks’ review: Bruno Dumont assembles a charming young cast for his beguiling childhood fantasy
Dumon’s distinctive, accessible new feature bows in Cannes Directors’ Fortnight
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Reviews‘Diamond’ review: Andy Garcia directs and stars as a noirish detective in disappointingly superficial LA story
Rosemarie Dewitt, Brendan Fraser, Vicky Krieps, Bill Murray and Dustin Hoffman also appear in Garcia’s second directorial feature
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Reviews‘Death Has No Master’ review: Asia Argento finds herself adrift in heady, uneven Venezuelan drama
Jorge Thielen Armand’s hallucinatory thriller premieres in Cannes Directors’ Fortnight
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News‘Minotaur’ storms to second place on Screen’s Cannes jury grid; ‘Bitter Christmas’ also lands
Andrey Zvyagintsev’s latest is just behind ‘Fatherland’ in the rankings.
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Reviews‘Goodbye Cruel World’ review: ‘Anatomy Of A Fall’ star Milo Machado-Graner shines in dreamlike Cannes Critics’ Week closer
Actor-turned-filmmaker Felix de Givry’s debut follows a bullied teenager who vanishes from his provincial town
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FeaturesClio Barnard on ‘I See Buildings Fall Like Lightning’: “It’s about housing and how f**ked up that is”
Clio Barnard is the only high-profile UK filmmaker selected for this year’s Cannes Film Festival, with I See Buildings Fall Like Lightning in Directors’ Fortnight.
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Reviews‘I See Buildings Fall Like Lightning’ review: Clio Barnard’s Birmingham friendship drama builds on its strong performances
The ‘Ali & Ava’ director’s Cannes Directors’ Fortnight title stars Joe Cole, Lola Petticrew and an excellent UK cast
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Reviews‘Low Expectations’ review: Understated Norwegian depression drama stars singer Marie Ulven
Ulven, aka Girl in Red, impresses in Eivind Landsvik’s debut of burnout and recovery
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Reviews‘The Samurai And The Prisoner’ review: Kiyoshi Kurosawa’s handsome Japanese period drama is a staid siege mystery
Kurosawa’s Cannes Premiere title lacks the action of his previous pictures
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Reviews‘Six Months In A Pink And Blue Building’ review: Intimate, precise portrait of childhood, memory and sexuality in Mexico City
Bruno Santamaría Razo’s Cannes Critics Week title effectively blends documentary and fiction
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Reviews‘Spring’ review: Assured, tense Lithuanian debut plays out in occupied Ukraine
Strong performances and atmospheric craft anchor a story of quiet resistance and mounting dread
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NewsCannes day 9: French industry mood and the best parties so far - The Screen Podcast
Host Wendy Mitchell is joined by Screen’s UK and international reporter Ben Dalton and France correspondent Rebecca Leffler.
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Reviews‘Minotaur’ review: Andrey Zvyagintsev remakes Claude Chabrol’s ‘The Unfaithful Wife’ as immaculate domestic thriller
The ‘Loveless’ and ‘Leviathan’ director’s Cannes Competition title intertwines personal and national crisis
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Reviews‘Women On Trial’ review: Charlotte Gainsbourg leads a persuasive dramatisation of landmark 1972 French abortion trial
Lauriane Escaffre and Yvo Muller revisit the historic Bobigny case through the eyes of lawyer and activist Gisele Halimi
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Reviews‘Aqui’ review: Ambitious Portuguese J.M. Coetzee adaptation explores the mysteries of childhood
An improvised family navigates uncertainty in Tiago Guedes’s three-hour Cannes Premiere title