All Cannes articles – Page 3
-
Reviews‘The Station’ review: Moving Yemen-set drama explores the importance of community in the face of war
Yemeni-Scottish filmmaker Sara Ishaq’s debut bows in Cannes Critics’ Week
-
Reviews‘De Gaulle: Résistance’ review: Broad-brush, old-fashioned biopic of former French president Charles de Gaulle
Antonin Baudry’s sweeping epic is fuelled by national-origin-story patriotism
-
Reviews‘Coward’ review: Two Belgian soldiers are drawn together amid the horrors of war in Lukas Dhont’s intimate queer drama
Newcomers Emmanuel Macchia and Valentin Campagne drive Dhont’s First World War Cannes Competition title
-
Reviews‘The End Of It’ review: Striking future-set study of mortality hangs on a layered performance from Rebecca Hall
Maria Martinez Bayona’s Cannes Premiere title also stars Gael Garcia Bernal, Noomi Rapace and Beanie Feldstein.
-
News‘I See Buildings Fall Like Lightning’ wins Directors’ Fortnight audience award
The People’s Choice award launched in 2024.
-
NewsCritics’ Week prize winner ‘La Gradiva’ bought by 1-2 Special for North America
The French-Italian drama is the directing debut of cinematographer Marine Atlan.
-
Reviews‘La Bola Negra’ review: Penelope Cruz and Guitarricadelafuente star in sprawling exploration of Spain’s queer culture
The works of Spanish poet Federico Garcia Lorca inform Javier Calvo and Javier Ambrossi’s Cannes Competition title
-
NewsSarah Arnold’s Cannes Directors’ Fortnight premiere ‘Too Many Beasts’ wins Europa Cinemas prize
Arnold’s feature debut will now receive the support from the European exhibition network during its release.
-
NewsUn Certain Regard entry ‘Iron Boy’ goes to Sony Pictures Classics for North America and other markets
The hand painted film is the first as a solo director from former Pixar animator Louis Clichy.
-
FeaturesLukas Dhont talks First World War drama ‘Coward’: “This is a film that needs to speak to young people”
Dhont is back in Cannes Competition for a second time with his third feature.
-
Reviews‘Roma Elastica’ review: Marion Cotillard anchors fractured, excessive Italian 1980s drama
Bertrand Mandico’s Cannes Midnight title also stars Noemie Merlant and Isabella Ferrari
-
Reviews‘Victorian Psycho’ review: Maika Monroe is gloriously gonzo in fun, feminist 19th-century horror
Jason Isaacs, Ruth Wilson and Thomasin McKenzie also star in Zachary Wigon’s intense Cannes Un Certain Regard title
-
Reviews‘Elephants In The Fog’ review: Sensitive, stirring debut is set at the heart of Nepal’s transgender community
Screenwriter and short filmmaker Abinash Bikram Shah’s engaging first feature bows in Cannes Un Certain Regard
-
News‘A Man Of His Time’, ‘The Man I Love’ land middle of the pack on Screen’s Cannes jury grid
Both films posted solid scores but failed to get close to leaders.
-
Features“Diversity is the defining feature of European cinema,” says European Film Promotion president Vítor Pinheiro
One year into the job, Pinheiro reflects on the challenges facing the European industry and how some of EFP’s programmes can help.
-
Reviews‘9 Temples To Heaven’ review: A poignant family road trip across contemporary Thailand produced by Apichatpong Weerasethakul
Sompot Chidgasornpongse’s Cannes Directors’ Fortnight title balances ritual, memory and familial tensions with a light touch
-
Reviews‘I’ll Be Gone In June’ review: A German exchange student navigates post-9/11 America in modest, engaging debut
Katharina Rivilis’s Cannes Un Certain Regard title is produced by Wim Wenders
-
PromotionFilmmakers stress creative benefits of artificial intelligence at Cannes’ Kling AI panel
Directors also say the tech will pave the way for greater “diversity and variety” in filmmaking.
-
Reviews‘Yesterday The Eye Didn’t Sleep’ review: Poetic, slow-burn debut unfolds within a Bedouin community in Lebanon
Palestinian director Rayakan Mayasi’s first feature premieres in Cannes Un Certain Regard
-
Reviews‘Orange-Flavoured Wedding’ review: Adele Exarchopoulos leads Christophe Honore’s propulsive, poignant 1970s ensemble drama
Honore’s latest work also stars Vincent Lacoste and Paul Kircher