All China articles – Page 80
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NewsDearest tops China box office
CHINA BOX OFFICE: Peter Ho-sun Chan’s Dearest topped the China box office for the week September 22-28, grossing $15.85m over its first four days.
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NewsNicolas Cage's Outcast pulled from China release
EXCLUSIVE: Arclight Films’ period action film Outcast, starring Nicolas Cage, was pulled from Chinese theatrical release last night, just hours before its midnight previews.
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NewsUS-China summit sets LA return
Guo Guangchang, chairman of Studio 8 backer Fosun International, will deliver a keynote speech on the future of Chinese capital in Hollywood at the fifth annual US-China Film Summit in Los Angeles on November 5.
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NewsNon-Stop has strong China opening
CHINA BOX OFFICE: While Dawn Of The Planet Of The Apes and The Expendables 3 topped the box office over the week September 15-21, Liam Neeson starrer Non-Stop had a strong opening, grossing $7.28m in three days.
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NewsLava Bear boards The Bodyguard
David Linde’s company will co-produce the upcoming Andy Lau action thriller alongside Edko Films, Irresistible Films and Focus Films.
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NewsApes reclaims top spot in China
CHINA BOX OFFICE: Fox’s Dawn Of The Planet Of The Apes narrowly outgrossed The Expendables 3 to take back the top spot at the Chinese box office last week (Sep 8-14).
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NewsAsia experts discuss China film growth, challenges
Experts at the Asia Film Summit in Toronto discussed the growth and current issues in Asia and finding the key to cracking the East-West conundrum.
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NewsExpendables 3 tops China box office
CHINA BOX OFFICE: Undeterred by piracy, The Expendables 3 grossed $32.84 in its first week at the China box office, knocking Dawn Of The Planet Of The Apes into second position.
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NewsStudio 8 closes Sony financing deal
Sony Pictures Entertainment (SPE) has signed a deal with Jeff Robinov’s Studio 8 to release up to six films a year worldwide excluding Greater China.
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NewsStudioCanal pacts with China’s Youku Tudou, BesTV
StudioCanal has secured deals with two of China’s biggest subscription VOD provides, Youku Tudou and BesTV.
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NewsAsian trio team for China-focused fund
Hong Kong’s Media Asia, Korean talent management group SM Entertainment and Taiwan’s Kbro Media have established a fund for joint investment in film and TV production aimed at Chinese-speaking audiences.
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NewsVersatile acquires Chan’s Dearest
EXCLUSIVE: Chinese child abduction film to screen in Toronto following world premiere in Venice.
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NewsApes swings into top spot in China
CHINA BOX OFFICE: Fox International’s Dawn Of The Planet Of The Apes kept local action title The Four 3 off the top spot at the China box office last week, grossing a hefty $45.13m over its three-day opening weekend.
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NewsApes scores $47m China debut
UPDATED SEPT 2: Lucrative returns in China continue to pour in as Dawn Of The Planet Of The Apes delivered the fourth biggest opening day for a non-local film, helping it soar past $400m at the international box office.
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NewsFestival chiefs protest Beijing indie fest closure
More than 20 festival heads and programmers have signed a statement in support of the Beijing Independent Film Festival, which was shut down by Chinese authorities last weekend.
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NewsDragon 2 retains China BO lead
CHINA BOX OFFICE: How To Train Your Dragon 2 held on to the top spot at the China box office in the week August 18-24, grossing a further $24.09m for a cumulative total of $50.86m.
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NewsBeijing Independent fest shut down
Chinese authorities shut down the 11th Beijing Independent Film Festival on its opening day on Saturday (August 23).
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NewsDragon 2 flies at China box office
CHINA BOX OFFICE: DreamWorks Animation’s How To Train Your Dragon 2 topped the Chinese box office for the week August 11-17, grossing $26.32m over a four-day weekend, while Apocalypse Pompeii opened in third position with $6.68m over three days.
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NewsChina’s LeTV to raise $730m
Online video company is working with partners including CITIC to enter retail and financial service industries.
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NewsEuro-China initiative to launch
European and Chinese producers joining forces to better position films in each other’s markets.