All Features articles – Page 67
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Features“I grew up in this cinema family”: why the granddaughter of UK cinema mogul Sam King wrote a book about his life
The daughter of Screen’s founder has written a book about her grandfather Sam King, co-founder of Shipman & King
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FeaturesThe Centrepiece interview: Cinépolis CEO on the future of LatAm exhibition
Alejandro Ramirez Magaña, CEO of the biggest cinema chain in Latin America, talks post-pandemic recovery, the global market and The Whale.
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FeaturesIn conversation: leading European cinema operators talk cost-of-living challenges and changing consumer behaviour
Screen spoke jointly to the chief executives at three exhibitors, which operate collectively across France, Spain, Scandinavia, Italy, Austria and southeast Europe.
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FeaturesArtistic director Ava Cahen explains what makes a 'Critics’ Week film’
“I live, I eat, I dream, I sleep Critics’ Week,” says Cahen.
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FeaturesNew Talent Focus: ‘Raging Grace’ director Paris Zarcilla on spotlighting Filipino stories, UK diversity
The writer/director of SXSW award winner Raging Grace is inspired by the work of writers including Sally Wainwright, Sharon Horgan, Nathan Bryon and Craig Mazin
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FeaturesNorth American box office is bouncing back but the world is watching what happens next
What will attract broader audiences back to North American cinemas in 2023?
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FeaturesUK exhibitors remain optimistic for 2023 box office growth despite sluggish first quarter
After two years of strong post-pandemic recovery, UK cinemas saw box-office momentum slow down in Q1 2023.
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FeaturesHow might a US writers strike impact indie production - and Cannes?
Online ballots close on April 17.
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Features10 things to know ahead of this year’s Cannes Marche du Film
The Marche 2023 is the first under the solo leadership of executive director Guillaume Esmiol.
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Features“I genuinely didn’t love it”: PR guru Matthew Freud on turning producer for Oscar winner ‘The Boy, The Mole, The Fox And The Horse’ (exclusive)
Freud reflects on a “consuming two years” bringing the adaptation of Charlie Mackesy’s hit book to the screen.
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FeaturesMy Screen Life: MipTV, Mipcom director Lucy Smith on what she has learned from Shonda Rhimes and Bob Iger
She also discusses why she loves her job and how she unwinds from its fast pace
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FeaturesHow Japan’s first Niigata International Animation Film Festival was drawn up
The festival drew major names from the county’s iconic animation scene for its first edition.
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FeaturesWhy French auteurs are arriving fashionably late to the series business
”Here in France, I think filmmakers are so used to doing things a certain way, that the transition has been more difficult”
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Features“Films are not made by one person”: The revolutionary production story of LFF winner ‘Blue Bag Life’
The BFI London Film Festival audience award winner will be released by Modern Films in the UK and Ireland.
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FeaturesCEO of Italian producer Lux Vide talks Fremantle deal, upcoming slate and country’s production boom
Luca Bernabei became CEO of leading Italian producer Lux Vide in 2013.
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FeaturesBeta Fiction Spain duo on their new production and distribution outfit: “Local films will be our priority”
Veteran Spanish execs Mercedes Gamero and Pablo Nogueroles talk to Screen.
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Features‘The Good Mothers’ team on bringing a “female gaze” to the Mafia
The Italian series follows three Mafia women who bring down the organisation from the inside
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FeaturesHow Nordic platform Viaplay became a “truly international company”
The Nordic platform has expanded into North America and the UK.
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FeaturesUniversal International Studios president Beatrice Springborn on building a talent-focused studio group
The studio is working with French-Vietnamese ’Call My Agent!’ writer Quoc Dang Tran and ‘We Are Lady Parts’ creator Nida Manzoor.
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FeaturesSky's Zai Bennett talks content strategy: ”I’d rather bet big on fewer things and just go for it”
Bennett is managing director of content at Sky and oversees Now TV and a suite of generic channels