Latest – Page 10
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Reviews‘The End Of It’ review: Striking future-set study of mortality hangs on a layered performance from Rebecca Hall
Maria Martinez Bayona’s Cannes Premiere title also stars Gael Garcia Bernal, Noomi Rapace and Beanie Feldstein.
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Reviews‘La Bola Negra’ review: Penelope Cruz and Guitarricadelafuente star in sprawling exploration of Spain’s queer culture
The works of Spanish poet Federico Garcia Lorca inform Javier Calvo and Javier Ambrossi’s Cannes Competition title
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Reviews‘Roma Elastica’ review: Marion Cotillard anchors fractured, excessive Italian 1980s drama
Bertrand Mandico’s Cannes Midnight title also stars Noemie Merlant and Isabella Ferrari
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Reviews‘Victorian Psycho’ review: Maika Monroe is gloriously gonzo in fun, feminist 19th-century horror
Jason Isaacs, Ruth Wilson and Thomasin McKenzie also star in Zachary Wigon’s intense Cannes Un Certain Regard title
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Reviews‘Elephants In The Fog’ review: Sensitive, stirring debut is set at the heart of Nepal’s transgender community
Screenwriter and short filmmaker Abinash Bikram Shah’s engaging first feature bows in Cannes Un Certain Regard
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Reviews‘9 Temples To Heaven’ review: A poignant family road trip across contemporary Thailand produced by Apichatpong Weerasethakul
Sompot Chidgasornpongse’s Cannes Directors’ Fortnight title balances ritual, memory and familial tensions with a light touch
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Reviews‘I’ll Be Gone In June’ review: A German exchange student navigates post-9/11 America in modest, engaging debut
Katharina Rivilis’s Cannes Un Certain Regard title is produced by Wim Wenders
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Reviews‘Yesterday The Eye Didn’t Sleep’ review: Poetic, slow-burn debut unfolds within a Bedouin community in Lebanon
Palestinian director Rayakan Mayasi’s first feature premieres in Cannes Un Certain Regard
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Reviews‘Orange-Flavoured Wedding’ review: Adele Exarchopoulos leads Christophe Honore’s propulsive, poignant 1970s ensemble drama
Honore’s latest work also stars Vincent Lacoste and Paul Kircher
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Reviews‘The Man I Love’ review: A powerful Rami Malek drives Ira Sachs’s compelling, opaque queer drama
Sachs’s Cannes Competition title plays out in 1980s New York City
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Reviews‘A Man Of His Time’ review: A superb Swann Arlaud powers Emmanuel Marre’s ambitious, overlong Vichy France drama
The Cannes Competition title follows real-life opportunist Henri Marre as he seeks to make a mark in 1940s France
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Reviews‘Red Rocks’ review: Bruno Dumont assembles a charming young cast for his beguiling childhood fantasy
Dumon’s distinctive, accessible new feature bows in Cannes Directors’ Fortnight
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Reviews‘Diamond’ review: Andy Garcia directs and stars as a noirish detective in disappointingly superficial LA story
Rosemarie Dewitt, Brendan Fraser, Vicky Krieps, Bill Murray and Dustin Hoffman also appear in Garcia’s second directorial feature
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Reviews‘Death Has No Master’ review: Asia Argento finds herself adrift in heady, uneven Venezuelan drama
Jorge Thielen Armand’s hallucinatory thriller premieres in Cannes Directors’ Fortnight
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Reviews‘Goodbye Cruel World’ review: ‘Anatomy Of A Fall’ star Milo Machado-Graner shines in dreamlike Cannes Critics’ Week closer
Actor-turned-filmmaker Felix de Givry’s debut follows a bullied teenager who vanishes from his provincial town
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Reviews‘I See Buildings Fall Like Lightning’ review: Clio Barnard’s Birmingham friendship drama builds on its strong performances
The ‘Ali & Ava’ director’s Cannes Directors’ Fortnight title stars Joe Cole, Lola Petticrew and an excellent UK cast
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Reviews‘Low Expectations’ review: Understated Norwegian depression drama stars singer Marie Ulven
Ulven, aka Girl in Red, impresses in Eivind Landsvik’s debut of burnout and recovery
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Reviews‘The Samurai And The Prisoner’ review: Kiyoshi Kurosawa’s handsome Japanese period drama is a staid siege mystery
Kurosawa’s Cannes Premiere title lacks the action of his previous pictures
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Reviews‘Six Months In A Pink And Blue Building’ review: Intimate, precise portrait of childhood, memory and sexuality in Mexico City
Bruno Santamaría Razo’s Cannes Critics Week title effectively blends documentary and fiction
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Reviews‘Spring’ review: Assured, tense Lithuanian debut plays out in occupied Ukraine
Strong performances and atmospheric craft anchor a story of quiet resistance and mounting dread















