Latest – Page 3
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Reviews
‘Romeria’ review: Carla Simon’s third, semi-autobiographical feature is ‘pensive and rather lovely’
The Spanish director continues to mine her own history for this affecting tale of a filmmaker in the making
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Reviews
‘The Girls We Want’ review: Inner-city kids fumble in Marseille-set debut
The return of a prodigal daughter upsets the balance in Prïncia Car’s collaborative Directors Fortnight title
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Reviews
‘Homebound’ review: Neeraj Ghaywan’s empathetic Indian drama is backed by EP Martin Scorsese
Story of two friends attempting to escape their marginalised roots could be an Un Certain Regard breakout
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Reviews
‘Tell Her I Love Her’ review: Romane Bohringer confronts her own past in convoluted hybrid feature
Over-stuffed docu-fiction hybrid is the result of a close collaboration with French politician Clémentine Autain
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Reviews
‘Kika’ review: A grieving woman turns to sex work in Belgian Critics’ Week debut
Alexe Poukine’s tonally-ambitious feature-length debut is balanced by a sensitive performance from Manon Clavel
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Reviews
‘The Disappearance Of Josef Mengele’ review: Kirill Serebrennikov’s drama tracks post-War life of the SS ‘Angel of Death’
’Fascinating, if not entirely successful’ adaptation sees August Diehl play the Nazi responsible for horrific human experiments at Auschwitz
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Reviews
‘Girl On Edge’ review: Friendship turns to rivalry in Chinese figure skating drama
Director Zhou Jinghao’s debut bows in Directors Fortnight
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Reviews
‘Militantropos’ review: The invasion of Ukraine through the prism of everyday life
Observational documentary starts in 2022, taking a Wiseman-like approach to a country at war
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Reviews
‘Fuori’ review: Mario Martone, Valeria Golino zoom in on ‘Art Of Joy’ author Goliarda Sapienza
Mario Martone’s Competition entry focuses on the author’s brief imprisonment and subsequent self-discovery
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Reviews
‘A Private Life’ review: Rebecca Zlotowski directs Jodie Foster in her first French-speaking lead
Foster is a Parisian therapist embroiled in a murder mystery in this intriguing, uneven thriller
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Reviews
‘Little Amelie’ review: Life in 1960s Japan through the eyes of a Belgian toddler
Charming animation is based on Amelie Nothomb’s memoir ‘The Character of Rain’
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Reviews
‘It Was Just An Accident’ review: Jafar Panahi confronts the Iranian injustice system head-on
Cannes Competition title sees a traffic accident spark a series of devastating events
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Reviews
‘Eleanor The Great’ review: June Squibb headlines Scarlett Johansson’s warm debut
Chiwetel Ejiofor and Erin Kellyman co-star in this Holocaust-themed story set in New York’s Jewish community
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Reviews
‘Imago’ review: Critics’ week doc looks at a Chechen enclave in Georgia
Filmmaker Déni Oumar Pitsaev visits the picturesque Pankissi valley in search of his roots
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Reviews
‘Aisha Can’t Fly Away’ review: A Cairo careworker finds herself caught up in local gang tensions
Morad Mostafa’s feature debut mixes drama and magical realism
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Reviews
‘Alpha’ review: Julia Ducournau's ‘Titane’ follow-up is set against a mysterious French plague
Tahar Rahim and Golshifteh Farahani star in this surprisingly emotional family drama
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Reviews
‘Highest 2 Lowest’ review: Spike Lee reteams with Denzel Washington for ambitious crime thriller
Fifth collaboration between director and star reimagines Akira Kurosawa classic ’High And Low’ in modern New York
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Reviews
‘Splitsville’ review: Dakota Johnson and Adria Arjona play love rivals in partner-swap comedy
Director/star Michael Angelo Covino follows ’The Climb’ with uneven Cannes Premiere title
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Reviews
‘A Poet’ review: A failed Colombian poet mentors a promising young talent
Simon Mesa Soto’s second feature is powered by a strong performance from non-professional Ubeimar Rios
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Reviews
‘Eagles Of The Republic’ review: Tarik Saleh reunites with Fares Fares to end his Cairo trilogy
The satirical film-industry drama follows ’Boy From Heaven’ and ’The Nile Hilton Incident’