Latest – Page 4
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Reviews‘Citizen Osama’ review: A Palestinian journalist balances war reportage with family life in harrowing Gaza doc
Ahmed Hassouna’s Venice out of competition title has been selected as Palestine’s official Oscar submission
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Reviews‘Father Joe’ review: Kiefer Sutherland takes holy orders in Luc Besson’s violent action romp
Al Pacino adds marquee heft to Barthélémy Grossmann’s knowingly trashy action thriller
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Reviews‘Oasis: Don’t Look Back In Anger’ review: Sentimental doc about UK band’s reunion plays best when it focuses on the music
Directors Dylan Southern and Will Lovelace chart Oasis’s 2025 tour in Venice out of competition title
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Reviews‘It Will Happen Tonight’ review: Nanni Moretti’s latest is unashamedly melodramatic Italian romance
Louis Garrel and Jasmine Trinca star in the director’s sprawling drama which premieres in Venice competition
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Reviews‘Primetime’ review: Robert Pattinson is ‘To Catch A Predator’ host Chris Hansen in visually striking, dramatically contrived thriller
Merritt Wever is also memorable in Lance Oppenheim’s feature debut, which bows in Venice competition
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Reviews'Diane In the Loop’ review: Quirky Belgian drama confronts the legacy of sexual violence
Ann Sirot and Raphaël Balboni’s funny, compassionate third feature is produced by the Dardenne brothers
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Reviews‘Imperium’ review: Sergei Loznitsa surveys the 1970s Soviet empire in revealing archive epic
Italian archive footage forms the basis of an expansive documentary with clear contemporary resonance
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Reviews‘Eklipse’ review: Tender 1999-set debut explores an Austrian childhood in the shadow of AIDS
Secrecy and stigma threaten a childhood friendship in Manuel Wetscher’s Venice Horizons premiere
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Reviews‘Our Share Of Sand’ review: A move from the UK to rural India proves a painful rite-of-passage in quietly powerful debut
Shalini Adnani’s level-headed Venice Critics Week titles features a strong performance from newcomer Maya Mehta
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Reviews‘Elsinore’ review: Andrew Scott is triumphant as terminally ill Scottish actor Ian Charleson in poignant ’80s theatreland drama
Simon Stone’s dramatisation of Charleson’s portrayal of Hamlet bows in Telluride before traveling to Toronto and London
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Reviews‘The Idiot(s)’ review: Aimee Lou Wood and Johnny Flynn spar in an audacious portrait of the Dostoevskys
An irreverent, eccentric take on the turbulent marriage behind one of literature’s great names
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Reviews‘Tender Loving Care’ review: Mike Leigh turns his compassionate gaze on contemporary Londoners
The veteran filmaker’s modestly scaled ensemble drama should connect with loyal admirers and discerning arthouse audiences
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Reviews‘Jupiter’ review: Denis Menochet is imposing in blunt, airless French nuclear war drama
Alexandre Smia’s feature debut invites comparisons to Kathryn Bigelow’s ‘House Of Dynamite’
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Reviews‘Furies’ review: George Clooney exec-produces this propulsive female-led Beirut bank-heist caper
Two sisters take on Lebanon’s broken economy in Rami Kodeih’s messy but hugely enjoyable Venice Spotlight title
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Reviews‘Mr. Nelson, Did You Kill People?’ review: Shinya Tsukamoto’s muddled portrait of Vietnam veteran activist Allen Nelson suffers an identity crisis
Rodney Hicks and Geoffrey Rush lead the Japanese auteur’s Venice Competition drama
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Reviews‘Queer Edward II’ review: Intimate doc links the making of Derek Jarman’s 1991 feature Edward II and wider LGBTQ+ activism
Theo Rollason’s entertaining Venice out of competition title goes behind the scenes of Jarman’s feature
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Reviews‘House Of The Wind’ review: A tender Cameroonian study of solitude and unexpected kinship
Auguste Bernard Kouemo Yanghu’s debut finds emotional force in an ageing mother’s search for connection
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Reviews‘My Undesirable Friends: Part II - Exile’ review: Julia Loktev’s portrait of Russian journalists in exile deepens in its second chapter
The follow-up to 2024’s ’Last Air In Moscow’ proves every bit as compelling, if more intimate
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Reviews‘Wild Horse Nine’ review: John Malkovich and Sam Rockwell command Martin McDonagh’s potent 1970s character study
The director’s Easter Island-set fifth feature premieres in Venice competition and looks set for awards attention
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Reviews‘Too Much Sugar’ review: Robert Greene delivers a clear-eyed portrait of family dysfunction and filmmaking as therapy
The Procession director’s latest is a moving exploration of fatherhood and masculinity in small-town Missouri