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Latest
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Reviews‘We Are The Fruits Of The Forest’ review: Compelling Rithy Panh doc follows Cambodia’s Indigenous Bunong people
The documentarian’s latest film was shot over four years and premieres in Tokyo competition
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Reviews‘Love Me Tender’ review: Vicky Krieps gives an intense performance in uneven Paris-set LGBTQ+ drama
Anna Cazenave Cambet’s second feature is adapted from the autofiction novel by Constance Debré
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Reviews‘Mothertongue’ review: Zhang Lu explores Chinese language and identity in meditative drama
The Korean-Chinese director’s follow-up to his Busan-winning ‘Gloaming In Luomu’ features the same cast and crew
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Reviews‘Balentes’ review: Enigmatic Sardinian animation boasts striking visuals but thin story
Giovanni Columbu’s 1940-set equine adventure blends various animation techniques
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Reviews‘Active Vocabulary’ review: Intimate, experimental doc explores indoctrination of Russian school children
Yulia Lokshina’s insightful film centres on an exiled Russian teacher working in Berlin
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Reviews‘Mother Bhumi’ review: Fan Bingbing impresses in atmospheric, overstuffed 90s-set Malaysian drama
Director Chong Keat-aun’s Tokyo premiere is an uneasy blend of political commentary and supernatural mysticism
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Reviews‘Song Sung Blue’ review: Hugh Jackman and Kate Hudson are high notes of mawkish musical tribute
Craig Brewer’s drama about real-life Neil Diamond tribute band closed AFI Fest ahead of a Christmas opening
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Reviews‘Blonde’ review: A Japanese teacher faces a student rebellion in messy yet entertaining satire
Yuichiro Sakashita’s Tokyo premiere features a strong performance from singer-dancer Takanori Iwata
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Reviews‘The Woman Who Poked The Leopard’ review: Intense portrait of Ugandan activist Stella Nyanzi
Patience Nitumwesiga profiles the exiled feminist poet in scattergun DOK Leipzig title
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Reviews‘Writing Life: Annie Ernaux Through The Eyes Of High School Students’ review: Claire Simon’s involving celebration of the French author
DOK Leipzig’s opening film explores how modern French teenagers respond to Ernaux’s body of work
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Reviews‘Climbing For Life’ review: Sayuri Yoshinaga lifts flat biopic of Japanese mountaineer Junko Tabei
Junji Sakamoto’s Tokyo opener turns a pioneering life into a traditional melodrama
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Reviews‘Dry Leaf’ review: A meditative Georgia-set road movie shot on a low-res phone camera
The latest from Alexandre Koberidze follows a father looking for his missing daughter in rural Georgia and premiered at Locarno
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Reviews‘Kenny Dalglish’ review: Asif Kapadia’s affectionate footballer doc should have wide appeal
The film is made up of archive footage and narrated by former Liverpool player/manager Dalglish himself
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Reviews‘Springsteen: Deliver Me From Nowhere’ review: Jeremy Allen White impresses as iconic musician
Writer-director Scott Cooper attempts to unpack the profound depression and disillusionment that inspired that Springsteen’s Nebraska album.
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Reviews‘Super Nature’ review: Impactful Super 8 natural world doc exec-produced by Asif Kapadia
Ed Sayers’ feature documentary features Super 8 footage from contributors in 25 countries
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Reviews‘Giant’ review: Pierce Brosnan and Amir El-Masry spar in unpretentious boxing biopic
Rowan Athale’s film is executive produced by Sylvester Stallone and premieres in London
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Reviews’The World Of Love’ review: Complex, thoughtful South Korean drama deals with aftermath of assault
Yoon Ga-eun’s nuanced third feature plays London following its Pingyao People’s Choice and Jury Prize awards
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Reviews‘Straight Circle’ review: Distinctive, satirical UK debut follows enemy soldiers on a desert border
Oscar Hudson’s Venice Critics Week-winning feature boasts strong performances and arresting visuals
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Reviews‘Hair, Paper, Water…’ review: Poetic documentary shines a light on Vietnam’s Indigenous Ruc people
Nicolas Graux and Truonh Minh Quy’s film follows a 60-year-old Ruc woman in Vietnam’s Quang Binh province
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Reviews‘Lady’ review: ‘Fleabag’ star Sian Clifford anchors bold, surreal mockumentary satire
The impressive debut feature from UK filmmaker Samuel Abrahams premieres in London