Latest – Page 5
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Reviews
‘Flathead’: Rotterdam Review
Docu-fiction follows a raddled septuagenarian returning to his blue-collar childhood home in Australia
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Reviews
‘The Moogai’: Sundance Review
Australia’s past comes back to haunt a new mother in the latest from the producers of ‘The Babadook’
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Reviews
‘Brief History Of A Family’: Sundance Review
Remarkably assured debut from China is a hard-to-pin-down blend of genre influences
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Reviews
‘The Goldfinger’: Review
‘Infernal Affairs’ duo Tony Leung and Andy Lau re-team for a rip-roaring tale of corruption and greed
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Reviews
‘Damage’: Review
Sensitive Australian two-hander centres on an immigrant taxi driver and his frail elderly passenger
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Reviews
‘Dwelling By The West Lake’: Tokyo Review
A young man must save his mother from the perils of a pyramid scheme in Gu Xiaogang’s rural China-set drama
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Reviews
‘Bride Kidnapping’: Busan Review
Jiseok co-winner at Busan is a dour but powerful drama from Kyrgyzstan.
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Reviews
‘This Is Going To Be Big’: London Review
Neurodiverse teenagers stage a musical about singer John Farnham in this upbeat Australian doc
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Reviews
‘Foe’: New York Review
Saoirse Ronan and Paul Mescal star in this dysopian sci-fi drama set in a world ravaged by climate change
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Reviews
‘Under The Light’: Review
Zhang Yimou’s latest, co-starring Joan Chen, emerges from a four-year delay to launch a bid for China’s ‘Golden Week’ glory
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Reviews
‘The Convert’: Toronto Review
Lee Tamahori returns to New Zealand with this 1830s-set story of a man of God, played by Guy Pearce, and two warring tribes
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Reviews
‘The Royal Hotel’: Toronto Review
Kitty Green delivers a further devastating drama on toxic masculinity, working again with ’The Assistant’s’ Julia Garner
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Reviews
‘City Of Wind’: Venice Review
A 17 year-old shaman comes of age in this remarkably-assured debut feature from Mongolia
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Reviews
‘Dreaming & Dying’: Locarno Review
Double prize winner at Locarno is an aquatic, magical realist tale from Singapore
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Reviews
’Abang Adik’: NYAFF Review
New York Asian Film Festival top prize-winner is a tour de force from Malaysia’s Jin Ong
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Reviews
‘Bad Education’: Bifan Review
Three Taiwanese high school graduates embark on a night of increasing peversity in Kai Ko’s directorial debut
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Reviews
‘The Tunnel To Summer, The Exit Of Goodbyes’: Annecy Review
An animation for the ages from Japan’s Tomohisa Taguchi wins the Paul Grimault prize at Annecy
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Reviews
‘If Only I Could Hibernate’: Cannes Review
A teenage boy attempts to study his way out of poverty in this assured debut from Mongolia
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Reviews
‘The New Boy’: Cannes Review
Cate Blanchett stars in this spiritual drama about an Indigenous Australian boy’s encounter with Christianity
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Reviews
‘Tiger Stripes’: Cannes Review
An adolescent girl faces a violent transition to womanhood in this Malaysian art-horror