Latest – Page 354
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FeaturesMark Cousins, A Story of Children and Film
Michael Rosser talks to Mark Cousins about his latest documentary, which has its world premiere in Cannes Classics tonight [May 3].
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FeaturesMarcel Ophuls, Ain’t Misbehavin
Andreas Wiseman talks to the great documentarian Marcel Ophuls about his new film Ain’t Misbehavin and returning to the Croisette after 20 years.
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FeaturesHirokazu Kore-eda, Like Father, Like Son
Jean Noh talks to Hirokazu Kore-eda about his latest feature, which premieres in Competition at Cannes.
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FeaturesJapan Special 2013
In a big year for Japan at the Cannes Film Festival, Screen offers a detailed insight to the industry, plans for TIFF, the growth of TIFFCOM and a look at Japan on the Croisette.
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FeaturesCannes 2013: Market Buzz
Screen’s essential guide to the hottest titles coming to market at Cannes.
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FeaturesPaul Wright, For Those In Peril
Wendy Mitchell talks to Paul Wright about his debut feature For Those In Peril, which premieres in Critics’ Week.
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FeaturesIn Production: Hello Carter
Writer-director Anthony Wilcox’s London-set debut feature Hello Carter is a comedy adapted from his buzz short of the same name.
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FeaturesIn Production: Starred Up
Andreas Wiseman talks to director David Mackenzie, actor Jack O’Connell and producer Gillian Berrie about new prison-drama Starred Up, which Independent will be shopping in Cannes.
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FeaturesSet report: Miss Julie
Liv Ullmann’s first film as a director in more than a decade, Miss Julie stars Jessica Chastain, Colin Farrell and Samantha Morton. Mark Salisbury visits the set and speaks to the director about relocating August Strindberg’s masterpiece to Northern Ireland
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FeaturesBFI pre-Cannes Lunch
Cannes talents and industry experts were invited to the BFI Southbank on Thursday [May 9] to celebrate this year’s British Cannes titles.
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FeaturesNicolas Winding Refn: playing God
Nicolas Winding Refn’s Only God Forgives started as a fight movie and morphed into a twisted tale of a mother-son relationship. Wendy Mitchell talks to the Danish writer-director about his anticipated follow-up to Drive.
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FeaturesTerritory Focus: Ireland
Browse Screen’s focus on film-making in Ireland, including an overview of the industry, the Irish Film Board and the hottest upcoming movies.
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FeaturesPinewood: From stage to screen
The Pinewood Group is eyeing ambitious expansion, with plans to build its first US studio and to double capacity at the UK’s Pinewood Studios. Andreas Wiseman reports.
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FeaturesAlain Attal: first blood
It all began in a restaurant for the producer of Guillaume Canet’s Cannes title Blood Ties. Alain Attal tells Melanie Goodfellow about his US debut.
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FeaturesIrish Film Board: springboard for Ireland’s industry
The Irish Film Board is playing a key role in the growth of Irish cinema. By Leon Forde.
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FeaturesDimension 3: viewing the future
The rise of high frame rate and 4K technology will be among the points of discussion at France’s Dimension 3 (June 18-21). By Melanie Goodfellow.
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FeaturesLara Thompson, eOne: buying power
eOne is one of the industry’s most significant buyers. Andreas Wiseman speaks to EVP of filmed entertainment Lara Thompson about the company’s Cannes acquisition strategy.
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FeaturesSales: Pitch Perfect
First-time producers should understand the commercial appeal of their film and know when to approach a sales company. Andreas Wiseman speaks to key industry sellers about what newcomers need to know about working with them
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FeaturesThe keys to unlocking film finance
Financing independent films is notoriously tough, so how can new producers attract backing? Geoffrey Macnab speaks to the seasoned professionals