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All articles by Nikki Baughan – Page 14
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Reviews‘Sonne’: Berlin Review
Ulrich Seidl-produced drama shows how social media comes to dominate the life of a young Kurdish girl living in Vienna
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FeaturesBerlin 2022: Screen’s guide to the Special, Forum and Generation titles
The Berlinale unfolds this year as an in‑person event, while the European Film Market has been forced online for a second time
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FeaturesBerlin 2022: Screen’s guide to the Competition titles
The Competition line-up includes new titles by Claire Denis, Phyllis Nagy, Rithy Panh, Hong Sangsoo, Francois Ozon and Denis Côté.
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Reviews‘Alice’: Sundance Review
Slavery past and present blends into Krystin Van Ver Linden’s vengeful thriller
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Reviews‘Hatching’: Sundance Review
Visceral coming-of-age horror from Finland will appeal to fans of Scandi-genre fare
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Features“The beginning of an explosion”: ‘The Mitchells Vs The Machines’ team on advances in animation
“There are a lot of X-Men on screen, and I don’t know any X-Men. But I do know families that don’t get along.”
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Features'Ron’s Gone Wrong': the team behind new UK animation studio Locksmith discuss its first feature
It was more than 10 years ago that writer/director Sarah Smith hit on the idea of creating a UK-based animation studio that could rival the output of US powerhouses such as Disney and Pixar.
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Features“Women’s bodies are autobiography”: Joanna Scanlan dissects ‘After Love’
“They tell our life history in a way that is not quite the same on a male body.”
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FeaturesTeam Screen’s best films of 2021
Which titles were favourites among Screen’s editorial team & key contributors?
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Reviews‘107 Mothers’: Cairo Review
Inside a women’s prison in Ukraine, incarcerated mothers are forced to hand their children over for adoption
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Reviews‘Eat Your Catfish’: IDFA Review
Inside the life of Kathryn, locked into a fixed position due to ALS but never static
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FeaturesAre the gatekeepers of the international feature doc sector brave and inclusive enough?
“We’re ready for the ‘giving up space’ phase,” says one producer.
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Reviews‘Children Of The Mist’: IDFA Review
A young Hmong girl in Northern Vietnam struggles against a pre-ordained path in Diam Ha Lei’s compelling first feature
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NewsWhat next for Saudi Arabia’s emerging film sector?
The inaugural edition of the Red Sea International Film Festival is being held December 6-15.
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FeaturesHow are producers making documentaries with real impact without preaching and turning off audiences?
Producers need to balance supporting a filmmaker’s vision while raising funding and finding an audience.
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Features50 films to watch this awards season: 2022 edition
Screen presents its guide to the titles likely to dominate conversation across key categories.
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Reviews‘The Alleys’: London Review
Bassel Ghandour’s debut juggles tones and storylines for a labyrinthine portrait of a Jordanian neighbourhood
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Reviews‘White Building’: London Review
Kavich Neang’s feature debut follows a young dancer who’s about to lose the only home he’s ever known
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NewsWhat is behind the new wave of UK genre filmmaking by female directors?
“It’s about filmmakers having a spider-sense [about the zeitgeist], picking fears from the ether and giving it form.”
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FeaturesGolden Bear winner Olga Lucovnicova talks about taking the next step to feature documentaries
‘Last Lettters From My Grandma’ is being presented at Re>Connext by Belgian production company Off World.