TV features – Page 14
-
FeaturesUK tax relief: Take your partners
The UK is introducing tax credits for television production, high-end animation and video games this month. Michael Rosser explores how the relief could further strengthen a TV powerhouse
-
FeaturesCase Study: Titanic
The UK-Canada-Hungary co-production for TV written by Julian Fellowes will be seen in more than 85 countries.
-
FeaturesFine tuning
Movie acquisitions for US TV channels are steady but the picture will soon get more complex as studio output deals come up for renewal and SVoD players step up.
-
FeaturesCase Study: Parade's End
Tom Stoppard reteams with Shakespeare In Love producer David Parfitt for the BBC-HBO mini-series Parade’s End, which shot in the UK and Belgium.
-
FeaturesEuropean pictures
How are Europe’s broadcasters adapting their film acquisition policies in the face of changing consumer patterns and economic crisis?
-
FeaturesThink big, start small
The barrier between film and TV is coming down as UK producers exploit different platforms to match finance with creative ambition.
-
FeaturesCase study of a dramatic success
How did Carnival Films finance its 2010 hit, Downton Abbey? Ben Dowell reports
-
-
Features
Cash of the titans
Will its ground-breaking deal with HBO encourage the UK’s Sky — and the territory’s other broadcasters — to increase their own investment in high-end TV drama? Matt Mueller reports
-
FeaturesThe box of delights
No longer simply a refuge for a career in decline, serious TV drama is alive and thriving in the US as film talents including Kate Winslet and Martin Scorsese clamour to work on the small screen. But can this trend continue?