![[Clockwise from top left]: 'The Voice Of Hind Rajab', 'A House Of Dynamite', 'Jay Kelly', 'After The Hunt', 'The Smashing Machine'](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/1/7/0/1459170_veniceawards_837515.jpg)
All Festivals articles – Page 37
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NewsFantastic Fest horror ‘What Happened To Dorothy Bell?’ lands at Raven Banner for Cannes sales
EXCLUSIVE: Michael Hargrove, Asya Meadows, and Lisa Wilcox star.
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Reviews‘Wild Foxes’ review: Samuel Kircher lands a punch in school boxing drama
Kircher headlines Valery Carnoy’s thoughtful Directors’ Fortnight debut
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Reviews‘The Wave’ review: Sebastian Lelio's ambitious feminist musical is set to Chile’s university strikes
Ambitious project set during the 2018 protests is an over-reach for the Oscar-winning director
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Reviews‘The Chronology Of Water’ review: Kristen Stewart’s debut is an intense deep-dive into the life of a troubled artist
Length and repetition undermines a fiery film anchored by Imogen Poots
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NewsHow a Martin Scorsese book club favourite inspired Excellent Cadaver to adapt ‘Die, My Love’
Lynne Ramsay directs Jennifer Lawrence in Cannes Competition premiere.
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News“Pure auteur fuel”: how Cannes’ black market touts are pitching $6k tickets
Tier 1 Premiere packages for the biggest films and cast going for $10,795.
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Reviews‘Sons Of The Neon Night’ review: With no expense spared, Juno Mak constructs an alternate 1990s Hong Kong
The actor/director’s tricky, long-awaited follow-up to ‘Rigor Mortis’ bows in Cannes’ Midnight strand
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Reviews‘Bono: Stories Of Surrender’ review: U2’s Bono looks back in energetic solo show
Andrew Dominik turns Bono’s 2022 stage tour into an immersive performance for Apple
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FeaturesIn focus: Cannes Festival’s 2025 Immersive Competition projects
Ellie Calnan talks to head of programming Elie Levasseur about the nine projects competing for the top prize in Cannes’ Immersive Competition dedicated to virtual reality and other new technologies, now in its second year.
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Reviews‘Eddington’ review: Joaquin Phoenix and Pedro Pascal face off in Ari Aster’s wan satire
Pandemic-era Competition title falls short in its attempts to skewer right-wing American ideology
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Reviews‘The Little Sister’ review: Hafsia Herzi explores identity and faith in coming-of-age story
The film adaptation of the award-winning novel The Last One premieres in Cannes’s Main Competition
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Reviews‘Her Will Be Done’ review: A young woman faces an ancient evil in rural French horror
Polish actor Maria Wrobel impresses in Julia Kowalski’s atmospheric second feature
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Reviews‘The Plague’ review: Joel Edgerton produces, stars in timely hazing drama
Charlie Polinger’s perceptive debut plays out at an all-boys water polo camp
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Reviews‘Amrum’ review: Fatih Akin directs coming-of-age drama set in 1945 Germany
Diane Kruger stars in delicate story set on a remote island as the Nazi regime falls
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Reviews‘The President’s Cake review’: Quinzaine crowd-pleaser is set in Saddam Hussein’s Iraq
A young girl, a scene-stealing cockerel and a culinary challenge fuel Hasan Hadi’s winning 1990s-set story
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Reviews‘Sirât’ review: Oliver Laxe’s long strange trip stars Sergi López
Fraught trek across the desert in search of missing daughter is a cinematic risk for French-Spanish auteur
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Reviews‘Case 137’ review: Lea Drucker anchors Dominik Moll’s police corruption drama
The 2018 Paris Yellow Vests protests provide the backdrop for this controlled procedural
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Reviews‘Left-Handed Girl’ review: Sean Baker-backed family drama is set on the bustling streets of Taipei
Performance-driven Critics Week title is the directorial debut of Baker’s regular collaborator Shih-Ching Tsou
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Reviews‘A Pale View Of Hills’ review: Kazuo Ishiguro’s debut novel gets tangled between Japan and the UK
Kei Ishikawa directs a dual timeline between 1950s Japan and 1980s England
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Reviews‘Brand New Landscape’ review: Debut explores a Tokyo family in crisis
Kenichi Endo stars in Yuiga Danzuka’s precise Directors Fortnight drama