All Orizzonti articles
-
Reviews
‘Human Resource’ review: A pregnant worker navigates a hostile world in Thai drama
Nawapol Thamrongrattanarit’s Venice Horizons title features an enigmatic central performance from Prapamonton Eiamchan
-
Reviews
‘Divine Comedy’ review: Ali Asgari skewers Iranian cultural restrictions in witty satire
Charming performances carry Asgari’s fifth feature about a fictional director attempting to screen his latest film in Tehran
-
Reviews
‘Lost Land’ review: Two young siblings from Myanmar journey alone in search of a better life
Well-intentioned Venice Horizons title from Japanese filmmaker Akio Fujimoto is first-ever Rohingya-language feature
-
Reviews
‘A Year Of School’ review: A Swedish girl finds her way in an Italian all-male high school
Laura Samani’s engaging comedy-drama premieres in Venice Horizons
-
Reviews
‘Late Fame’ review: Greta Lee and Willem Dafoe shine in pleasing New York Story
The second feature from Kent Jones bows in Venice Horizons
-
Reviews
‘Rose Of Nevada’ review: George MacKay and Callum Turner star in Mark Jenkin’s atmospheric time-travel tale
Jenkin’s follows up ‘Bait’ and ’Enys Men’ with perhaps his most accessible film to date
-
Reviews
‘Milk Teeth’ review: A young girl searches for her missing sister in 1980s Romania
Mihai Mincan’s beguiling sophomore feature premieres in Venice Horizons
-
Reviews
‘Strange River’ review: A teenage boy encounters hidden desires on a trip along the Danube
Catalan director Jaume Claret Muxart’s compelling coming-of-age drama plays Venice Horizons
-
Reviews
‘The Kidnapping Of Arabella’ review: Chris Pine and Benedetta Porcaroli star in quirky Italian road movie
The actor takes on his first Italian-language role for sophomore director Carolina Cavalli
-
Reviews
‘Mother’ review: Noomi Rapace stars as Mother Teresa in one-dimensional biopic
Macedonian filmmaker Teona Strugar Mitevska’s punk rock take on the religious figure opens Venice Horizons
-
News
Intramovies unveils key sales for Venice Horizons Extra drama ‘Vittoria’ (exclusive)
Alessandro Cassigoli and Casey Kauffman-directed feature sells to countries including France and Japan.
-
Reviews
‘Aicha’: Venice Review
Mehdi M. Barsaoui directs Fatma Sfar in an electric performance as a Tunisian woman on an unexpected journey of reinvention
-
Reviews
‘Pavements’: Venice Review
Alex Ross Perry’s hybrid documentary charts the fortunes of US indie band Pavement
-
Reviews
‘Happy Holidays’: Venice Review
Scandar Copti follows the Oscar-nominated Ajami with this compelling spliced drama
-
Reviews
‘Happyend’: Venice Review
Neo Sora’s fiction debut follows a group of students in near-future Japan as they attempt to disrupt surveillance society
-
Reviews
‘Familiar Touch’: Venice Review
Sensitive drama follows an American woman struggles to keep hold of herself in the face of dementia
-
Reviews
‘King Ivory’: Venice Review
James Badge Dale and Ben Foster take opposite sides of America’s War on Drugs in John Swab’s lacklustre thriller
-
Reviews
‘The Mohican’: Venice Review
An unassuming Corsican goatherd becomes the figurehead of a resistance movement in this assured thriller
-
Reviews
‘The New Year That Never Came’: Venice Review
The fall of Romanian leader Nicolae Ceausescu is explored in this 1989-set debut which won the top Horizons prize at Venice
-
Reviews
‘Mistress Dispeller’: Venice Review
A ‘mistress dispeller’ seeks to break up an extramarital affair in this intimate Chinese documentary