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Screen Emmy Cover

Screen Primetime Emmy Special

Browse the digital edition of Screen International, which focuses on the 2017 Emmys.

OJ Made In America

'OJ: Made In America' director on the politics behind his epic historical doc

OJ: Made In America is a prime awards-season contender, an eight-hour exploration of OJ Simpson’s rise and fall filtered through the history of Los Angeles’ African American community.

The Eagle Huntress

How 'The Eagle Huntress' soared to the Oscar doc shortlist

Documentary film-maker Otto Bell tells Melanie Goodfellow how Morgan Spurlock helped to transform his debut feature about one Mongolian girl’s daring quest into an awards hopeful.


'Weiner' directors talk aftermath of political scandal doc

Filmed and released before the denouement of this tumultuous year in US politics, the makers of documentary Weiner tell Tom Grater what drew them to disgraced New York politician Anthony Weiner.

La La Land

How Damien Chazelle made 'La La Land' for just $30m

How did Damien Chazelle craft a lavish, old-style Hollywood musical on a $30m budget? The writer-director and his lead producers tell Matt Mueller the story behind his ridiculously ambitious third feature.



Viola Davis on taking 'Fences' from stage to screen

Davis and Denzel Washington talk to Elbert Wyche about their lasting impressions of the Oscar-nominated Fences - first on stage and now on film.


Denzel Washington talks Golden Globe winner 'Fences'

The filmmaking team behind Fences talk to Elbert Wyche about the challenges of taking a Tony-winning play from stage to screen - with the entire Broadway cast.

Fantastic Beasts and where to find them

How the 'Fantastic Beasts' VFX team created a world of amazing monsters

For the first instalment in Warner Bros’ planned five-film follow-up to the Harry Potter franchise, the visual-effects team transposed JK Rowling’s wizarding world to 1926 New York City.


Screen June July 2017

Screen June-July 2017

Browse the digital edition of Screen International, which includes a focus on Luc Besson’s Valerian.