The Royal Film Commission of Jordan among honourees.
This year’s ceremony has shifted to late November and has a new venue.
OJ: Made In America is a prime awards-season contender, an eight-hour exploration of OJ Simpson’s rise and fall filtered through the history of Los Angeles’ African American community.
Documentary film-maker Otto Bell tells Melanie Goodfellow how Morgan Spurlock helped to transform his debut feature about one Mongolian girl’s daring quest into an awards hopeful.
Filmed and released before the denouement of this tumultuous year in US politics, the makers of documentary Weiner tell Tom Grater what drew them to disgraced New York politician Anthony Weiner.
How did Damien Chazelle craft a lavish, old-style Hollywood musical on a $30m budget? The writer-director and his lead producers tell Matt Mueller the story behind his ridiculously ambitious third feature.
In a turbulent year for the continent’s politics, the European Film Awards will celebrate the best of European film-making and honour the memory of the late Andrzej Wajda.
Davis and Denzel Washington talk to Elbert Wyche about their lasting impressions of the Oscar-nominated Fences - first on stage and now on film.
The filmmaking team behind Fences talk to Elbert Wyche about the challenges of taking a Tony-winning play from stage to screen - with the entire Broadway cast.
For the first instalment in Warner Bros’ planned five-film follow-up to the Harry Potter franchise, the visual-effects team transposed JK Rowling’s wizarding world to 1926 New York City.