Latest – Page 3
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Features
Is Netflix eyeing a theatrical strategy shift?
“It’s like manna from heaven,” said one UK exhibitor of ‘The Thursday Murder Club’, now playing in cinemas for a second week.
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Features
“You are going to get goosebumps”: Can the work showcased at Venice Immersive help draw global audiences?
“When you can sell a lot of tickets for one single show, it starts coming closer to the economic model of cinema.”
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Features
How mk2 is connecting auteurs and audiences, and expanding its slate of English-language arthouse films
”A decade ago, we stopped distributing films and everyone said, ‘You’re crazy.’ But we had a strategic vision, and it is working.”
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“You have to carry on pushing”: Good Chaos founder Mike Goodridge reflects on life in the international producer fast lane
The UK producer has ‘Orphan’ and ‘Ballad Of A Small Player’ set for launch at the fall festivals and a first-look deal with Searchlight.
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Tereza Nvotová on her Venice premiere ‘Father’: “My first instinct was this is too tragic”
Slovakia-born filmmaker’s latest is about a father who forgets his child in a car during a heatwave.
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Features
“We will support talent in all genres,” says Fremantle’s Andrea Scrosati on eve of bumper Venice
Production and distribution group has six titles in Venice’s official selection, including Paolo Sorrentino’s opening film La Grazia and Yorgos Lanthimos’s Bugonia.
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Features
My Screen Life: Emily Mortimer on needing noise to write, what she learned from Noah Baumbach and her love of sausages
The co-writer of Jay Kelly reveals why opening a greasy spoon would be her ideal alternative career.
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Features
Venice Production Bridge head Pascal Diot on what’s new for 2025 edition
Venice Production Bridge is adding an extra day to its schedule this year, the latest in a series of additions to the festival’s industry event.
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Which films at the fall festivals could go on to become awards contenders?
“Venice is starting to feel more American in its programming, which plays well for press coverage.”
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Features
The lowdown on all the Venice Film Festival 2025 titles
Screen profiles all the films in the Venice Film Festival’s official selection and parallel sections.
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Features
Venice 2025 preview: Screen’s guide to the Competition titles
Includes new films by Kathryn Bigelow, Benny Safdie, Mona Fastvold, Noah Baumbach, Olivier Assayas and Guillermo del Toro.
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Features
Venice 2025 preview: Screen’s guide to the Spotlight titles
The Venice Film Festival’s new Spotlight section includes films by Maryam Touzani, Stephan Komandarev and Daniel Hendler.
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Venice 2025 preview: Screen’s guide to the Critics’ Week titles
Julia Jackman’s 100 Nights Of Hero starring Emma Corrin and Charli XCX is among the selection for the 40th Venice Critics’ Week.
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Venice 2025 preview: Screen’s guide to the Out Of Competition titles
Venice 2025 Out Of Competition titles include films from Luca Guadagnino, Sofia Coppola, Gus Van Sant, Werner Herzog and Laura Poitras.
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Venice 2025 preview: Screen’s guide to the Giornate degli Autori titles
Giornate degli Autori competition titles include Damien Hauser’s ‘Memory Of Princess Mumbi’ and ‘Past Future Continuous’, the new documentary from Firouzeh Khosrovani.
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Venice 2025 preview: Screen’s guide to the Horizons titles
Venice 2025 Horizons titles include films from Ali Asgari, Nawapol Thamrongrattanarit, Kent Jones and Mark Jenkin.
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Features
‘Severance’ production designer Jeremy Hindle on evoking beauty and violence through furniture, colour, and location
Hindle is nominated for a Primetime Emmy for his work on the Apple TV+ series.
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Features
20 films to watch from the 2025 summer festivals
Includes titles from Locarno, Edinburgh, Annecy, Karlovy Vary, Transilvania, Munich and Fantasia.
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Features
‘Dying For Sex’ director Shannon Murphy on “leading an orchestra” of actors and going “old school theatre”
The Emmy-nominated director talks to Screen International about asking Michelle Williams to make her fall funnier and why her next project will not be about death.
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Features
The summer box office delivered consistent hits but lacked a big breakout success
Box-office growth hasn’t quite matched the season’s buoyant mood, but ‘F1’ and ‘How To Train Your Dragon’ could be important hits.