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‘Good Luck, Have Fun, Don’t Die’ review: Sam Rockwell rages against the machines in glib, gonzo AI satire
Director Gore Verbinski’s nihilistic return to the big screen also stars Juno Temple and Haley Lu Richards
‘That Summer In Paris’ review: Tender debut plays out as the city hosts the 2024 Olympics
Valentine Cadic’s drama premieres in Berlin’s Perspectives
‘The Botanist’ review: Award-winning Chinese drama finds magic in nature
Promising debut from Jing Yi takes the top Generation youth prize at Berlin
‘Holding Liat’ review: Israeli family suffers their own hostage crisis
Berlin doc winner confronts the aftermath of the Hamas attacks of October 7
‘The Safe House’ review: Cluttered 1960s Paris-set chamber piece
Lionel Baier makes his first appearance in Berlin competition
‘What Does That Nature Say To You’ review: Long chats and fast zooms with Hong Sangsoo
The 33rd feature from South Korea’s profilic auteur is a little unfocused
‘Ancestral Visions Of The Future’ review: Intricate visual poem from exiled Lesotho filmmaker
Lemohang Mosese follows up his 2019 arthouse hit ’This Is Not A Burial’
‘Timestamp’ review: Doc is a powerful, fractured portrait of school days in Ukraine
Kateryna Gornostai returns to Berlin with this Competition title
‘Kontinental ’25’ review: Radu Jude returns after winning the Golden Bear
Berlin Competition title is a satirical state-of-the-world treatise
‘After This Death’ review: Niche US-set mystery is an 'arch, implausible affair'
Argentianian filmmaker Lucio Castro’s second feature bows as a Berlinale Special
‘Yunan’ review: Enigmatic second film in Ameer Fakher Eldin’s ‘Homeland’ trilogy
German islands-set drama plays in Berlin Competition
‘Paul’ review: Denis Côté doc explores the surprising benefits of submissive cleaning
Canadian film-maker returns to Berlin with an intriguing character study
‘Dreams (Sex Love)’ review: Dag Johan Haugerud concludes his trilogy at Berlin
Sensitive coming-of-age story is a wisful end to the Norwegian auteur’s work
‘Mother’s Baby’ review: Postpartum stress under the lens in meticulous Berlin title
Marie Leuenberger gives a terrific performance in a drama that leans into horror
‘Honey Bunch’ review: Bold Canadian period genre from the makers of ’Violation’
Madeleine Sims-Fewer and Dusty Mancinelli pay homage to the past
‘Two Times João Liberada’ review: Portuguese LGBTQ+ title is a niche debut
Paula Tomás Marques uses a fictional history to shed light on modern filmmaking conventions
‘Lesbian Space Princess’ review: Queer Australian animation could be a crowdpleaser
Emma Hough Hobbs and Leela Varghese’s debut is set in a gaylaxy far, far away
‘Blue Moon’ review: Ethan Hawke sings in Richard Linklater drama
Andrew Scott, Margaret Qualley co-star in a poignant portrait of Broadway lyricist Lorenz Hart
‘The Settlement’ review: Egyptian debut is a bleak and dispiriting revenge thriller
Mohamed Rashad’s Perspectives title has a ’grim inevitability’
‘Dreamers’ review: Tender queer migrant drama from Britain
Nigeria-born Joy Gharoro-Akpojotor draws on her own experiences
